Digital necrophilia as a component of the modern "thanatological renaissance"

A. S. Bolshakova
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Abstract

The article attempts to consider the phenomenon of social necrophilia, described by Erich Fromm, from the angle of transformations taking place in the world in the digital age. Digitalization intensifies necrophilic tendencies of modern civilization: mechanization and robotization, dominance of the material, fixation on the past, etc.; contributes to an outbreak of interest in the once taboo subject of death, so it’s worth talking about digital necrophilia. It is noted that the virtual mode of being creates a wide range of opportunities for a fixed representation of one's Self (social networks), for the release of aggression (cyberbullying, cancelling), for the reorganization of funeral culture and the process of mourning (digital cemeteries, memorials). The anthropologization of technology, the formality and coldness of interpersonal relationships, transgressive games and cinema, the translation of long speech (Dialogue in its hermeneutic presentation) into a signed (fixed) form - all
数字恋尸癖是现代“死亡学复兴”的一个组成部分
本文试图从数字时代世界正在发生的变化的角度来思考埃里希·弗洛姆所描述的社会恋尸癖现象。数字化强化了现代文明的恋尸倾向:机械化和机器人化、物质主导、对过去的执着等等;人们对死亡这个曾经的禁忌话题产生了浓厚的兴趣,所以数字恋尸癖是值得讨论的。值得注意的是,虚拟的存在模式为个人自我的固定表现(社交网络)、攻击性的释放(网络欺凌、取消)、葬礼文化的重组和哀悼过程(数字墓地、纪念馆)创造了广泛的机会。技术的人类化,人际关系的正式和冷淡,越界的游戏和电影,将冗长的演讲(在其解释学呈现中的对话)翻译成一种符号(固定)形式——所有这些
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