A study of visual culture on gravestone in the graveyards of Lahore

A. Ali
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Abstract

Passing by the roads of Lahore, one may witness reckless urban development near graveyards. These graveyards are self-introductory structures and are segregated from the rest by the abodes of the living. The study is about the inscriptions on gravestones in the graveyards of Lahore. The city of Lahore is a historical city with its history narrated through its architecture. One of the key constructions are the cenotaphs of royals; some of them are surrounded by gardens and others with beautifully manifested buildings addressing the time and glory of the past. This study investigates the visual hierarchy of the inscriptions on graves in these graveyards through market trends and techniques followed by their makers and visitors. Graveyards of Lahore, in particular, have a unique consumer culture based on the expressive nature of the people of this city. The techniques, materials and styles of construction of these graves make them more or less similar in their size, appearance and visual effect. Due to these similarities, they don’t captivate the human mind as all graveyards of Lahore are similar in their aesthetics, structure and design. This study explores the peculiar nature of these graveyards revealed by analyzing the gravestones placed almost on all the graves from various aspects. There are few researches available in which the inscriptions on gravestones have been addressed as social proclamations. These proclamations, data collection and visual surveys suggested a shift from just documentation to analytical study. Visual documentation of gravestones allows them to be considered as archives which hold a permanent record of the deceased, including their name, alias, age, gender, profession, religion, sect, final words, etc. It also covers the cultural standing of the deceased person through pated images which act as a visual directory of our social norms and beliefs. Grounded theory is applied and convenience and purposive sampling techniques are used to collect data for proper analysis.
拉合尔墓地墓碑的视觉文化研究
经过拉合尔的道路,人们可能会看到墓地附近鲁莽的城市发展。这些墓地是自我介绍的结构,被活着的人的住所与其他地方隔开。本研究是关于拉合尔墓地墓碑上的碑文。拉合尔是一座历史悠久的城市,它的历史通过它的建筑来讲述。其中一个重要的建筑是皇室成员的纪念碑;其中一些被花园包围,另一些则有美丽的建筑,讲述了过去的时间和荣耀。本研究通过市场趋势和墓葬制造者和来访者所遵循的技术来考察这些墓地墓葬铭文的视觉层次。特别是拉合尔的墓地,有一个独特的消费文化,基于这个城市的人的表现力。这些坟墓的建造技术、材料和风格使它们在大小、外观和视觉效果上或多或少相似。由于这些相似之处,它们并没有吸引人们的注意力,因为拉合尔所有的墓地在美学、结构和设计上都是相似的。本研究通过对几乎所有墓葬上的墓碑的分析,从各个方面探讨了这些墓葬所揭示的特殊性。很少有研究将墓碑上的铭文作为社会公告来处理。这些公告、数据收集和目视调查表明,从单纯的文献记录到分析研究的转变。墓碑的视觉记录使它们被视为档案,保存着死者的永久记录,包括他们的姓名、别名、年龄、性别、职业、宗教、教派、遗言等。它还通过图片作为我们社会规范和信仰的视觉目录,涵盖了死者的文化地位。应用扎根理论,使用方便和有目的的抽样技术来收集数据以进行适当的分析。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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