Production of the Taiwanese Southern Min tones by L1 Mandarin speakers

Karen Huang
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Abstract

This study compares the Taiwanese Southern Min (TSM) tones produced by L1 Mandarin speakers and L1 TSM speakers in Taiwan. TSM has seven lexical tones with complex tone sandhi rules while Mandarin only has four lexical tones with a Tone 3 Sandhi. The acoustic study shows that the L1 Mandarin group produced all seven tones with pitch registers and contours similar to the L1 TSM group, including the uncategorized mid-level tone (Tone 7) and two short tones (Tone 4 & 8). In addition, the L1 Mandarin speakers produce accurate sandhi tones at non-XP-final positions. They had no difficulty applying the tone sandhi rules, suggesting that they might have stored the sandhi forms lexically. The further comparison to L1 Mandarin group’s Mandarin tones suggests that the rising and the falling tones were assimilated to their native ones. However, they struggled to reduce the duration of the two TSM short tones to the same degree as the L1 TSM speakers, which suggests that durational differences were more difficult than the pitch for them to acquire.
以普通话为母语者的台湾闽南音之制作
本研究比较了母语普通话使用者与母语TSM使用者所产生的台湾南闽音。TSM有7个复杂变调规则的词汇音调,而普通话只有4个变调规则的词汇音调。声学研究表明,L1普通话组产生的七个声调与L1 TSM组的音高域和轮廓相似,包括未分类的中级声调(声调7)和两个短声调(声调4和8)。此外,L1普通话使用者在非xp -final位置产生准确的连音。他们在应用变调规则方面没有困难,这表明他们可能已经在词汇上存储了变调形式。进一步与母语普通话群体的普通话声调进行比较发现,他们的升、降调被同化为母语声调。然而,他们很难将两个TSM短音的持续时间减少到与L1 TSM讲话者相同的程度,这表明持续时间差异比他们获得音高更困难。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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