{"title":"Sublime in the aesthetics of Nicolai Hartmann and Edmund Burke","authors":"Sasa Grbovic","doi":"10.2298/theo2102111g","DOIUrl":null,"url":null,"abstract":"This article is dedicated to the interpretation of the aesthetic thought of\n Nicolai Hartmann and Edmund Burke, that is, the interpretation of their\n different understandings of the sublime, and its relation to the beautiful.\n While Hartmann?s sublime is an aesthetic value that is subordinate to the\n beauty, Burke defines the sublime as a form of aesthetic experience that is\n on the same level as beautiful. Burke forms an understanding of the sublime\n based on his analysis of the aesthetic experience, which includes his\n understanding of passions, states of the soul and the analysis of the\n sensible qualities of the aesthetic objects, while Hartmann formally\n considers sublime as one kind of beautiful, and reaches his understanding of\n it based on his inquiry of the aesthetic object and his definition of\n beautiful.","PeriodicalId":374875,"journal":{"name":"Theoria, Beograd","volume":"47 4","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"Theoria, Beograd","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.2298/theo2102111g","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
引用次数: 0
Abstract
This article is dedicated to the interpretation of the aesthetic thought of
Nicolai Hartmann and Edmund Burke, that is, the interpretation of their
different understandings of the sublime, and its relation to the beautiful.
While Hartmann?s sublime is an aesthetic value that is subordinate to the
beauty, Burke defines the sublime as a form of aesthetic experience that is
on the same level as beautiful. Burke forms an understanding of the sublime
based on his analysis of the aesthetic experience, which includes his
understanding of passions, states of the soul and the analysis of the
sensible qualities of the aesthetic objects, while Hartmann formally
considers sublime as one kind of beautiful, and reaches his understanding of
it based on his inquiry of the aesthetic object and his definition of
beautiful.