Performative Protest and the Lost Contours of Red Power Activism

S. Hitchmough
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引用次数: 1

Abstract

ABSTRACT The historical mapping of the Red Power movement is dominated by a handful of monumental events, and the intervening Native activism is often overshadowed by these summits. This article seeks to reveal the lost contours of the landscape and to rethink the ‘classic’ Red Power narrative. It argues that the lesser-known events and activism had a distinctively performative element to them that, in turn, was comprised of two strands: the first was a critical engagement with sites or symbols of national identity-making and, by extension, with narratives and ideas of patriotism. Secondly, such acts were often animated by a playful and ironic sense of humour. Merging a discussion of this performative rhetoric with analyses of events that have often sat in the shadows of the peaks of the struggle – the plan to occupy Ellis Island, protests at Mount Rushmore, the plan to take the Statue of Liberty ‘hostage’, and protests such as the 1976 Trail of Self-Determination – uncovers a much richer, nuanced and complicated ideological engagement with Red Power activism that is largely absent from current scholarship.
表演抗议和红色力量行动主义的迷失轮廓
红色力量运动的历史地图主要由少数具有纪念意义的事件主导,而介入其中的土著激进主义往往被这些峰会所掩盖。本文试图揭示失去的景观轮廓,并重新思考“经典”红色力量叙事。它认为,不太为人所知的事件和行动主义有一种独特的表演元素,而这种元素又由两股组成:第一股是与国家身份认同的场所或象征的批判性接触,并由此延伸到爱国主义的叙事和思想。其次,这类行为往往充满了俏皮和讽刺的幽默感。将对这种表演修辞的讨论与对经常处于斗争高峰阴影中的事件的分析结合起来——占领埃利斯岛的计划,拉什莫尔山的抗议活动,将自由女神像作为“人质”的计划,以及1976年的“自决之路”等抗议活动——揭示了与红色力量激进主义更丰富、更微妙、更复杂的意识形态接触,这在目前的学术研究中很大程度上是缺席的。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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