Traditional Elements in the Iranian Realistic Drama

F. Zahedi
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Abstract

Modern Iranian drama developed in line with a liberal school of thought, bothbefore and after the Constitutional Revolution in 1906. It came during thetransition from a traditional to a new type of society that was able to tolerateand accept the revolution. The arrival of European theatre in 1878, with itsdependence on a written text rather than improvisatory acting, was part of themodernization process in Iran that enjoyed its height in the early years of thetwentieth century. At the same time, traditional theatre was being rediscovered,and playwrights started using some of its forms to develop indigenous modernIranian theatre to meet the standards of the genuine past and dynamic present.Although there was an assimilation of certain secular tendencies, the newlyappearing type of drama satisfied the need for modernity through defendingpolitical and social liberties. The road to transition began in the 1850’s andgained momentum during the 1940’s through the 1970’s, leaving its effects onIranian drama in such a way that its legacy persists to date.Keywords: realistic drama; Iranian drama; Iran Constitutional Revolution
伊朗现实主义戏剧中的传统元素
在1906年宪法革命前后,现代伊朗戏剧的发展都与自由主义思想流派保持一致。它发生在从传统社会向能够容忍和接受革命的新型社会过渡的过程中。1878年欧洲戏剧的到来,依赖于书面文本而不是即兴表演,是伊朗现代化进程的一部分,在20世纪早期达到了顶峰。与此同时,传统戏剧正在被重新发现,剧作家们开始利用其中的一些形式来发展伊朗本土的现代戏剧,以满足真正的过去和充满活力的现在的标准。尽管有对某些世俗倾向的同化,但新出现的戏剧类型通过捍卫政治和社会自由来满足现代性的需要。过渡之路始于19世纪50年代,并在20世纪40年代到70年代期间获得了动力,它对伊朗戏剧的影响如此之大,以至于它的遗产一直延续到今天。关键词:现实主义戏剧;伊朗的戏剧;伊朗宪法革命
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