Participative cultural productions of the oppressed: The master-servant dialectic through an Indian lens

AC Nisar
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Abstract

ABSTRACT The master-servant and self-substance dialectic in Hegel’s Phenomenology of Spirit presents the self as reflectively negating the particularities of its natural consciousness and transcending towards the social substance in order to inscribe its culturally refined self-conception upon the universal substance. Hegel argues that the reflective and determinate negations of the subordinated self by means of participative cultural production (Bildung) lead to the overcoming of servitude and subordination. That is, the actions of the supposedly ‘inessential’ servant-selfhood lead to freedom and disallows the ossification of the social substance. This Hegelian insight is employed in this article to understand dominations in contemporary liberal democracies, and the participative cultural productions of the Dalits and their politics of resistance in the Indian subcontinent.
被压迫者的参与文化产品:印度镜头下的主仆辩证法
黑格尔《精神现象学》中的主仆与自我实体辩证法将自我表现为反思性地否定其自然意识的特殊性,向社会实体超越,从而将其文化提炼的自我概念铭刻在普遍实体之上。黑格尔认为,通过参与性的文化生产(建立)对从属自我进行反思和决定性的否定,可以克服奴役和从属。也就是说,所谓的“非必要的”仆人自我的行为导致了自由,并阻止了社会实体的僵化。这篇文章运用黑格尔的洞察力来理解当代自由民主国家的统治,以及印度次大陆上达利特人的参与文化产物和他们的抵抗政治。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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