Snakes On The Dance Floor: Bollywood, Gesture, and Gender

Kareem Khubchandani
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引用次数: 11

Abstract

Queer analyses of Bollywood have, for the most part, attended to homosocial scenes and LGBT representation; this essay takes a different approach by tracing the mimicry of screen divas Madhuri Dixit and Sridevi by gay South Asian boys and men. Madhuri and Sridevi are important dance pedagogues in Hindi cinema and have established intimate and embodied relationships with their audiences. Many gay men interviewed for this project in both India and the South Asian diaspora cite these two women as dance inspiration, and the men explain how when they were young they mimicked these actresses. For some of these men, the effeminate gestures they drew from the Bollywood screen were met with praise, but for others they resulted in discipline. The essay imagines the efficacy of returning to these nostalgic film gestures in adulthood, especially in the eroticized space of the nightclub. Combining film and dance analysis, interview and ethnography, this study maps the gestural language transferred between screen and body and the affective and embodied politics of dancing like a diva.
舞池中的蛇:宝莱坞、手势和性别
对宝莱坞的酷儿分析,在很大程度上,关注的是同性恋社会场景和LGBT代表;这篇文章采用了一种不同的方法,通过追踪南亚同性恋男孩和男人对银幕天后Madhuri Dixit和Sridevi的模仿。Madhuri和Sridevi是印度电影中重要的舞蹈教师,他们与观众建立了亲密而具体的关系。这个项目采访了许多来自印度和南亚侨民的男同性恋者,他们认为这两位女性是他们舞蹈的灵感来源,男同性恋者也解释了他们年轻时是如何模仿这两位女演员的。对其中一些人来说,他们从宝莱坞银幕上获得的柔弱姿态受到了赞扬,但对另一些人来说,这导致了纪律。这篇文章想象了在成年后回归这些怀旧电影姿态的效果,尤其是在夜总会的色情空间里。结合电影与舞蹈分析、访谈与民族志,本研究描绘了银幕与身体之间的手势语言转换,以及像女主角一样跳舞的情感与体现的政治。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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