„Aelter als die Sprache ist das Nachmachen von Gebärden“. Der Leib als Entstehungsort der Sprache

Marina Silenzi
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Abstract

Abstract Nietzsche’s early philosophical ideas about language and its origin occupy a central place in scholarly discussions of his work. In order to examine Nietzsche’s interpretation of the constitution of human language, this article focuses not only on his early writings, but also on the first volume of Human, All Too Human as well as on his later period, in particular his work in 1887 and 1888. The central claim of this article is that Nietzsche begins to view the body, with its gestures and movements, as the site of origin for instinctive unconscious language and the subsequent emergence of conceptual language. Already in 1872, and with the influence of contemporary scientific ideas, he begins to conceive the movement and gesture of the human body as the foundation for the origin of language. Strengthened in Human, All Too Human, this idea appears again in his later writings in 1887, when Nietzsche connects it to Charles Féré’s theories of “psychomotor induction” and “mental suggestion.” Finally, it is the Dionysian artist of 1888 who enjoys par excellence the capacity for suggestion, affect and immediate representation, and who thus becomes the master of communication.
他也因此著名身体是语言的发源地
尼采关于语言及其起源的早期哲学思想在其著作的学术讨论中占据中心地位。为了考察尼采对人类语言构成的解释,本文不仅关注他的早期作品,还关注《人类,太人类》的第一卷,以及他的后期,特别是他在1887年和1888年的作品。这篇文章的中心观点是,尼采开始把身体,连同它的手势和动作,看作是本能的无意识语言和随后出现的概念语言的起源。早在1872年,在当代科学思想的影响下,他就开始把人体的运动和姿态作为语言起源的基础。在《人性,太人性》一书中,这一观点得到了强化。1887年,尼采在他后来的作品中再次出现这一观点,当时尼采将其与查尔斯·法萨梅斯·雷恩斯的“精神运动诱导”和“精神暗示”理论联系起来。最后,是1888年的酒神艺术家,他在暗示、情感和直接表现方面具有卓越的能力,从而成为交流的大师。
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