A estética da natureza: a fruta na obra de Sophia de Mello Breyner Andresen

Maria Serena Felici
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Abstract

Sophia de Mello Breyner Andresen’s poetry of the real develops around some elements that characterize the writer’s literary universe: the sea, the garden, the house, the classical art and the night landscapes. The amazement before the beauty of the visible, brings human beings closer to nature and God. This paper will focus on Sophia’s quotes of fruits whithin her poetic and narrative work. In her writing, fruits can be linked to her childhood memories; it can show a straightforward example of Nature’s beauty; or it can establish metaphors based on isotopies shared with objects belonging to other semantic fields. In the western tradition some fruits, including apples, are a symbol of temptation and lust, whereas in Sophia’s writing they are trigger reconnection with the ancestors and are full of literary dignity.
索菲娅·德·梅洛·布雷纳·安德森的现实诗歌围绕着这位作家的文学世界的一些特征展开:大海、花园、房子、古典艺术和夜景。面对可见之美的惊叹,使人类更接近自然和上帝。本文将着重探讨索菲亚在其诗歌和叙事作品中对水果的引用。在她的作品中,水果可以与她的童年记忆联系起来;它可以直接展示大自然之美;或者它可以基于与属于其他语义场的对象共享的同位素建立隐喻。在西方传统中,包括苹果在内的一些水果是诱惑和欲望的象征,而在索菲亚的写作中,它们是与祖先重新联系的触发器,充满了文学的尊严。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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