ERMi esemekogud ja -analüüs

Liisi Jääts
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Abstract

Human artifacts are part of a culture. Whatever aspect we consider—their material, manufacture, ritual use or meaning—the world of human-made objects is closely intertwined with technological, social, economic, religious and other fields. An artifact can be a valuable source of study for a scholar delving into either the past or contemporary culture. Insofar as objects from past cultures are concentrated in museum collections, several questions arise in the mind of a researcher regarding the object as a source material: both at the level of describing and analysing an individual item and more broadly, at the level of the museum collection. A museum’s collection of artifacts is not a neutral and objective representation of real life. Nor is any other ethnographic source preserved in our museum’s collections a neutral and objective representation of life. Field diaries, reports, photographs, descriptions of objects and collections reflect the theoretical views of the times, or the understanding of the mission of ethnography/ethnology and the Estonian National Museum. Source criticism must always take into account the background, which in the case of object research will also involve the museum context.
人工制品是文化的一部分。无论我们从哪个方面考虑——它们的材料、制造、仪式用途或意义——人造物品的世界与技术、社会、经济、宗教和其他领域紧密交织在一起。对于研究过去或当代文化的学者来说,一件文物可以是一个有价值的研究来源。由于来自过去文化的物品集中在博物馆的收藏中,研究人员会想到几个问题,将这些物品作为原始材料:无论是在描述和分析单个物品的层面上,还是在更广泛的层面上,在博物馆收藏的层面上。博物馆的文物收藏并不是对现实生活的中立和客观的表现。我们博物馆收藏的任何其他人种学资料都不是对生活的中立和客观的描述。实地日记、报告、照片、对物品和藏品的描述反映了时代的理论观点,或对民族志/民族学和爱沙尼亚国家博物馆使命的理解。来源批评必须始终考虑到背景,在对象研究的情况下,也会涉及到博物馆的语境。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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