APPLICABILITY OF STANDARD GREY SCALE FOR REPORTING PERCEIVED COLOR DIFFERENCE OF PRINTS ENHANCED WITH PEARLESCENT PIGMENTS

Ivana Tomić, R. Huertas, L. Gómez-Robledo, S. Dedijer, I. Jurič
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Abstract

Printed materials that exhibit goniochromism pose a challenge not only for colour measurement but also for estimating colour differences. A common procedure for determining perceived colour difference implies assessing colour pairs by means of a standard grey scale. This method was proven to be adequate for estimating, among others, perceived differences of low chroma goniochromatic samples found in the automotive industry, as well as for assessing colour differences of conventional prints. In this work, we were interested in the applicability of the same approach for estimating colour differences of printed samples enhanced with pearlescent pigments. Such prints are regarded as goniochromatic and depending on the type of the pigment, can exhibit very high chroma in angles close to specular reflection. This may pose a problem in evaluating colour differences because grey scale only shows a change in lightness. In addition, in some illumination/viewing geometries the differences between the two samples can be higher than those presented in the grey scale. Nine colour pairs (low-chroma digitally printed samples enhanced with three types of pearlescent pigments) were assessed in six viewing/illumination angles by a panel of ten observers. Our results show that chroma of the samples did not influence significantly interand intra-observer agreement, implying that grey scale references can be used for determining the perceived differences between chromatic samples. SDC grey scale provided sufficient range of colour differences only for the limited set of printed samples, leading to the conclusion that for assessing the differences of printed samples enhanced with pearlescent pigments it is necessary to use reference scale with higher difference range.
用珠光颜料增强的印刷品报告可感知色差的标准灰阶的适用性
呈现色差的印刷材料不仅对颜色测量,而且对色差的估计提出了挑战。确定感知色差的常用程序意味着通过标准灰度来评估颜色对。该方法已被证明足以估计,除其他外,在汽车工业中发现的低色度色差样品的感知差异,以及评估传统印刷品的色差。在这项工作中,我们感兴趣的是同样的方法在估计珠光颜料增强的印刷样品的色差方面的适用性。这种印刷品被认为是角色的,根据颜料的类型,可以在接近镜面反射的角度上表现出非常高的色度。这可能在评估色差时造成问题,因为灰阶只显示明度的变化。此外,在某些照明/观看几何形状中,两个样本之间的差异可能高于灰度中呈现的差异。九色对(用三种珠光颜料增强的低色度数字印刷样品)由十名观察员组成的小组在六个观看/照明角度进行评估。我们的研究结果表明,样品的色度对观察者之间和观察者内部的一致性没有显著影响,这意味着灰度参考可以用于确定色度样品之间的感知差异。SDC灰度仅为有限的印刷样品提供了足够的色差范围,因此对于评估珠光颜料增强的印刷样品的色差,有必要使用差异范围更大的参考刻度。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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