Foreign Authors’ Enforcement of U.S. Reversion Rights

J. Ginsburg
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Abstract

Thank you to all of the participants, and especially the first two panelists, for setting one part of the scene.  I am going to talk about the United States’ termination right and some Berne and private international law consequences or implications of the termination right. First, however, I’d like to advert to the two goals Rebecca Giblin referenced in her talk.  One is remuneration, the other is dissemination.  Author-protective laws in other countries also address dissemination.  As Severine Dusollier mentioned, a number of national laws include an obligation to exploit the work:  if the publisher does not exploit the work, the rights revert to the author.  In the United States, the contractual out-of-print clause serves that purpose, but the out-of-print clause is a matter of private ordering.  It has to be activated by the author and publishers lately have contended that as a result of print-on-demand, the work never goes out of print.  If the book is available in the catalog, and somebody at some point wants a copy, then the publisher can provide that copy.  Out of print clauses in the digital environment therefore, some publishers would argue, make no sense.  Mary Rasenberger accordingly mentioned some of the attempts of the Author’s Guild to push back against the disappearance of the out-of-print clause. The rest of my remarks will concern remuneration, rather than dissemination.  As both Martin Senftleben and Severine Dusollier pointed out, there exists a disparity in bargaining power:  authors generally are the weaker party.  Two broad techniques seek to remedy this problem.  Previous speakers have addressed one of them, intervention by national laws with respect to the amount that the author gets paid, and with respect to the scope of the grant.  Thus, in some countries, as Severine Dusollier mentioned, the law prohibits the author’s grant of modes of exploitation unknown at the time of the contract.  These laws effectively reserve new technology rights to the author.  Other national laws require additional remuneration for new modes of exploitation, or for “bestsellers” whose authors’ remuneration becomes excessively disproportionate to the grantees’.
外国作家对美国版权法的执行
感谢所有的参与者,尤其是前两位小组成员,为这个场景搭建了一个部分。我将讨论美国的终止权以及伯尔尼法和国际私法对终止权的影响。首先,我想强调一下Rebecca Giblin在她的演讲中提到的两个目标。一个是报酬,另一个是传播。其他国家保护作者的法律也涉及传播问题。正如Severine Dusollier所提到的,许多国家的法律都规定了利用作品的义务:如果出版商不利用作品,那么权利就归作者所有。在美国,合同的绝版条款起到了这个作用,但绝版条款是私人订购的问题。它必须由作者激活,出版商最近声称,由于按需印刷,作品永远不会绝版。如果这本书在目录中是可用的,并且有人在某个时候想要一本,那么出版商可以提供该副本。因此,一些出版商认为,在数字环境下,“绝版”条款毫无意义。因此,玛丽·拉森伯格提到了作家协会为反对绝版条款的消失所做的一些努力。我接下来的发言将涉及薪酬,而不是传播。正如Martin Senftleben和Severine Dusollier所指出的那样,在议价能力上存在差异:作者通常是较弱的一方。有两种广泛的技术试图解决这个问题。前面的发言者谈到了其中一个问题,即国家法律对作者获得的报酬数额和补助金范围的干预。因此,正如Severine Dusollier所提到的,在一些国家,法律禁止作者授予在订立合同时不知道的剥削方式。这些法律有效地为作者保留了新技术的权利。其他国家的法律要求对新的开发模式,或者对作者的报酬与被授权者的报酬过度不成比例的“畅销书”给予额外的报酬。
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