Jazz in the context of «global village» principle

I. Paliy
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Abstract

This article addresses one of the manifestations of interaction between different music domains, using the sphere of jazz as an example. In the course of evolution, the art of music has developed five relatively independent domains based on fundamentally different principles of musical thought. Globalization, which has intensified in the 20th century and continues to grow in the 21st, gave birth to a new domain called by us “unionique music”. This domain is the object of our research. The relevance of this study stems from the fact that unionique music compositions do not fit the standard principles of genre classifications used by academic music scholars. At the same time, an important feature that unites these compositions is the combination of such spheres of music as jazz, rock, “traditional” music of Western European academic tradition, ethnic music and folklore. Nevertheless, the degree of impact of a particular music domain in different compositions has different indicators. This article focuses on the analysis of unionique music compositions that contain expressive means of various domains, but at the same time are founded on the jazz-based principle of music playing.
爵士乐在“地球村”原则的背景下
本文以爵士乐为例,讨论不同音乐领域之间相互作用的一种表现形式。在演变过程中,音乐艺术根据根本不同的音乐思想原则发展出了五个相对独立的领域。全球化在20世纪愈演愈烈,并在21世纪继续发展,催生了一个被我们称为“独特音乐”的新领域。这个领域是我们研究的对象。这项研究的相关性源于这样一个事实,即独特的音乐作品并不符合学术音乐学者使用的流派分类的标准原则。同时,这些作品的一个重要特征是结合了爵士乐、摇滚、西欧学术传统的“传统”音乐、民族音乐和民间传说等音乐领域。然而,一个特定的音乐领域在不同的作品中的影响程度有不同的指标。这篇文章着重分析了独特的音乐作品,它包含了各个领域的表现手段,但同时又建立在以爵士乐为基础的音乐演奏原则之上。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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