Les métamorphoses intersémiotiques du mythe casanovien

E. Meunier
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Abstract

Giacomo Casanova is a real historical figure who traveled, wrote, loved during the Enlightenment, and whose posterity is linked to the myth he has gradually become. The substantivation of his surname, which reduces this multi-talented adventurer to the archetype of the unrepentant seducer, took place through the numerous intersemiotic rewriting of his consequent autobiography, Histoire de ma vie. Artists of all disciplines have played with the codes of his legend; they sometimes amplify the myth, they sometimes try, at the contrary, to suffocate it, in order to find the real man behind it, or they even sometimes create a new character, very different from the myth or the literary figure.These three rewriting choices are particularly interesting to observe during the intersemiotic metamorphosis of the original text in still or moving images, because from a medium to an other one, the casanovian myth grows or dies, lives and changes according the different codes which shape it... and be shaped by it.
卡萨诺维神话的符号学间变形
贾科莫·卡萨诺瓦(Giacomo Casanova)是一个真实的历史人物,他在启蒙运动期间旅行、写作、恋爱,他的后代与他逐渐成为的神话联系在一起。他的姓氏的实证性,使这个多才多艺的冒险家变成了一个不悔改的诱惑者的原型,这是通过对他后来的自传《历史》的多次间断性重写来实现的。各行各业的艺术家都在玩弄他的传奇代码;他们有时放大神话,有时相反,他们试图扼杀神话,以便找到神话背后的真实人物,或者他们有时甚至创造一个与神话或文学人物截然不同的新角色。这三种重写的选择,在原始文本在静止或运动图像中的过渡变形过程中,观察起来特别有趣,因为从一种媒介到另一种媒介,卡萨诺神话根据塑造它的不同代码生长或死亡,生存和变化……并被它塑造。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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