Exploration and Thoughts on the Status Quo of Chinese Opera Stage Art

Ying Zheng
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Abstract

From 2005 to 2020, Chinese opera stage art, based on inheritance and innovation, adopts all kinds of advanced technologies, uses Chinese and foreign aesthetic concepts for reference, attracts audiences in more professional and diverse forms, and brings them excellent visual enjoyment. This article takes the stage art creation of opera from 2005 to 2020 as the research object. Through 15 years of case analysis of modern stage art to grasp the development status of modern stage art, this article explores the dilemma of modern stage art creation, further studies the development prospects of stage art, and starts thinking about the development trend of stage art in Chinese opera.
中国戏曲舞台艺术现状的探索与思考
从2005年到2020年,中国戏曲舞台艺术在继承和创新的基础上,采用各种先进技术,借鉴中外审美理念,以更加专业和多样化的形式吸引观众,给观众带来了极好的视觉享受。本文以2005年至2020年的戏曲舞台艺术创作为研究对象。本文通过15年来对现代舞台艺术的个案分析,把握现代舞台艺术的发展现状,探索现代舞台艺术创作的困境,进一步研究舞台艺术的发展前景,开始思考中国戏曲舞台艺术的发展趋势。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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