The Godwinian Critic

Philipp Hunnekuhl
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Abstract

Chapter two discloses how Robinson’s in-depth study of William Godwin’s Political Justice prompted his first theory of literature, published in a mid-1795 article in Benjamin Flower’s radical Cambridge Intelligencer. According to this theory, Godwin’s necessitarian philosophy had succeeded in situating truth in the moral concerns that a poet raises. Where an author’s imagination proves compatible with the laws of necessity, literature may exert a direct didactic influence on the motives governing the mind, and thus promote disinterested benevolence. Godwinism qua ‘New Philosophy of Love’, it emerges further from Robinson’s hitherto unknown draft article ‘on novels’ (1798) that he intended for John Aikin’s radical Monthly Magazine but never submitted, pervades Robinson’s formal and informal literary criticism prior to his turn to Kant. Robinson’s Godwinian criticism already comprised comparative elements, discussing, for instance, novels by Godwin himself, Thomas Holcroft, Ann Radcliffe, Jonathan Swift, Voltaire, and Friedrich Maximilian Klinger, among many more.
哥德温主义批评家
第二章揭示了罗宾逊对威廉·戈德温的《政治正义》的深入研究是如何促使他在1795年中期发表在本杰明·弗劳尔激进的《剑桥情报员》上的一篇文章中提出了他的第一个文学理论。根据这一理论,戈德温的必然主义哲学成功地将真理置于诗人提出的道德关切之中。当一个作者的想象力被证明与必然法则相容时,文学可能对支配思想的动机施加直接的说教影响,从而促进无私的仁慈。戈德温主义作为“爱的新哲学”,它从鲁滨逊迄今为止未知的草稿文章“论小说”(1798)中进一步出现,他打算为约翰·艾金激进的月刊杂志撰写,但从未提交,在他转向康德之前,遍及鲁滨逊的正式和非正式文学批评。罗宾逊的戈德温式批评已经包含了比较的元素,例如,他讨论了戈德温本人、托马斯·霍尔克罗夫特、安·雷德克里夫、乔纳森·斯威夫特、伏尔泰和弗里德里希·马克西米利安·克林格等人的小说。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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