The Fragile Boundaries of Paradise: The Paradise Inn Resort at the Former Jerusalem Leprosarium

Diego Rotman
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Abstract

The utopia that Boris Schatz described in his novella The Rebuilt Jerusalem: A Daydream, written in 1918 during his exile in Safed, is supposed to be realized in the year 2018. Schatz envisioned a paradisiacal Jerusalem. The Jews will coexist in harmony with nature and with the Arab residents of the city, and, with the consent of the Arab minority, they will build the Third Temple, which will serve as a museum for Jewish art and Jewish science. In this futuristic, utopian vision, the Land of Israel is a Biblical paradise where Jewish inhabitants wear Middle Eastern garb and have biblical names but lead modern lives. In July 2015, a group of Jerusalem-based artists decided to conduct a dialogue with Schatz’s novella, contextualizing and materializing his utopian and paradisiac Jerusalem.1 They chose to do so not on the Temple Mount, where some traditions situate paradise2 but in the Talbiyeh neighborhood, inside the walls of the former leper’s home of Jerusalem, a nineteenth century hospital established outside the Old City’s limits and surrounded, like the city of Jerusalem, by its own walls.
天堂的脆弱边界:天堂酒店度假村在前耶路撒冷麻风院
鲍里斯·沙茨(Boris Schatz)在1918年流亡萨法德(Safed)期间写的中篇小说《重建的耶路撒冷:白日梦》(The rebuilding Jerusalem: A Daydream)中描述的乌托邦,预计将在2018年实现。沙茨设想了一个天堂般的耶路撒冷。犹太人将与自然和城市的阿拉伯居民和谐共处,在阿拉伯少数民族的同意下,他们将建造第三圣殿,作为犹太艺术和犹太科学的博物馆。在这个未来的乌托邦愿景中,以色列的土地是圣经中的天堂,那里的犹太居民穿着中东服装,有着圣经中的名字,但却过着现代生活。2015年7月,一群耶路撒冷的艺术家决定与Schatz的中篇小说进行对话,将他乌托邦和天堂般的耶路撒冷置于语境和物化。他们选择的地点不是圣殿山,那里有一些传统的天堂2,而是在Talbiyeh社区,在耶路撒冷以前的麻风病人之家的墙内,这是一个19世纪的医院,建立在老城的界限之外,像耶路撒冷一样,被自己的城墙包围着。
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