On the fabric of the human body in seven text-iles: The multimodality of learning anatomy

A. Harris
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Abstract

When Andreas Vesalius made his now famous anatomical text De humani corporis fabrica libri septem (Latin for ‘On the fabric of the human body in seven books’), he attempted to address a crossmodal conundrum that continues to delight and perplex medical educators and learners to this current day: how to evoke the visceral, dynamic, friable, complex materiality of the human body in a shareable form, other than with flesh itself? In this Multimodal Sensations essay, I move beyond the often written about art of anatomy (e.g. Kemp and Wallace, 2000), to expand upon another aspect of anatomy and its education, written in Vesalius’ own series title – the fabric of the body. I draw on my, and my research team’s work, on the materials and artefacts of teaching sensory skills to medical students. Our field-sites were medical schools in Central and Western Europe and West Africa and our methods were ethnographic and historical, something I expand on further in the following section. This long-term project, called Making Clinical Sense, took sharing sensory knowledge as its driving methodology as
论七篇文章中的人体结构:学习解剖学的多模态
当安德烈亚斯·维萨里乌斯(Andreas Vesalius)撰写他现在著名的解剖学著作《人体结构》(De humani corporis fabrica libri septem)时,他试图解决一个交叉模式的难题,这个难题一直困扰着医学教育者和学习者,直到今天:如何以一种可共享的形式,而不是肉体本身,唤起人体的内在、动态、脆弱、复杂的物质特征?在这篇多模态感觉的文章中,我超越了经常写的关于解剖学艺术的文章(例如Kemp和Wallace, 2000),扩展了解剖学及其教育的另一个方面,写在维萨里乌斯自己的系列标题中——身体的结构。我利用我和我的研究团队的工作,利用向医科学生教授感官技能的材料和人工制品。我们的实地考察地点是中欧、西欧和西非的医学院,我们的方法是人种学和历史学,我将在下一节进一步展开。这个长期项目被称为“制造临床意义”,将分享感官知识作为其驱动方法
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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