The Terms of the Text

Alison M. Rice
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Abstract

Chapter 9 examines how unconventional written work is currently pushing the limits of our understanding of genre. Women from elsewhere are drawing from personal experience in order to disturb tired distinctions between “text” and “life” in imaginative fashions that reconfigure the reading experience. Their creative work is contributing to liberating these authors from overworked modes of expression and worn expectations, and allows them to break free from rigid definitions. It is significant that a number of worldwide women writers are now opting to compose works in a variety of creative forms ranging from the bande dessinée to the journal to the photo essay to récits of all sorts, expanding our conceptions of generic classification by playing with everything from titles to formats within the written work. This inventiveness includes a great deal of attention to visual arts and music, occasionally through the integration of works of art and musical notations in the text itself, and other times through allusions to artistic and musical pieces, or even through the construction of passages that liken literature to these other art forms. Authors are more and more impressively contributing to their own publishing profiles by writing “autobiographically” in variations that elude any clear categorization, but that reveal intimate details in texts that embody movement, progression, and development in exciting new terms.
文本条款
第9章探讨了非传统的书面作品目前是如何推动我们对体裁的理解的极限。来自其他地方的女性从个人经验中汲取灵感,以富有想象力的方式打破“文本”和“生活”之间令人厌倦的区别,重新配置了阅读体验。他们的创造性工作有助于将这些作者从过度劳累的表达模式和磨损的期望中解放出来,并使他们从僵化的定义中解脱出来。值得注意的是,许多世界范围内的女性作家现在选择以各种各样的创造性形式创作作品,从乐队到期刊,从摄影文章到各种各样的 ),通过在书面作品中发挥从标题到格式的一切,扩展了我们对一般分类的概念。这种创造性包括对视觉艺术和音乐的大量关注,有时通过在文本中整合艺术作品和音乐符号,有时通过对艺术和音乐作品的典籍,甚至通过将文学与其他艺术形式相比较的段落的构建。令人印象深刻的是,作家们越来越多地通过“自传式”的写作来为自己的出版形象做出贡献,这些变化难以明确归类,但却揭示了文本中的亲密细节,以令人兴奋的新术语体现了运动、进步和发展。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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