Aesthetics of Serendipity: Muta-Morphosis

Murat Germen
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Abstract

Creativity is stochastic and assumptive in nature. The importance of randomness in the creative process must not be ignored, underestimated, or intentionally disregarded in a condescending way. Notions of chance, randomness, or unpredictability are important, especially when it comes to artistic creation. In addition to these notions, serendipity can be seen as the expected contribution for making expedient discoveries by coincidence or by chance. To put serendipity into work, a need exists to accumulate a list of questions that need solving, acquaintance with already existing answers, and their use in daily life. Only when this knowledge is present, ‘chance’ can take its part in establishing the perfect milieu for the ‘problem’ and the ‘solution’ to find each other. If there is a great deal of knowledge accrued about the problem and the requisites for the solution, chance adds the final piece to the puzzle. Traditional ‘prescriptive, authoritarian and rather conventional’ aesthetics vs. a new ‘generative, irregular, unprescribed’ aesthetics can then be examined.
偶然的美学:变形
创造力在本质上是随机和假设的。在创造过程中,随机性的重要性不能被忽视、低估或故意以一种居高临下的方式忽视。偶然性、随机性或不可预测性的概念很重要,尤其是在艺术创作方面。除了这些概念之外,serendipity还可以被看作是由于巧合或偶然而做出权宜之计发现的预期贡献。为了让意外发现发挥作用,我们需要积累一份需要解决的问题清单,熟悉已有的答案,并在日常生活中使用它们。只有当这种知识存在时,“机遇”才能发挥它的作用,为“问题”和“解决方案”创造完美的环境,让它们找到彼此。如果关于问题和解决问题的必要条件已经积累了大量的知识,那么机会就会为这个难题添加最后一块。传统的、规范的、权威的、相当传统的美学与新的、生成的、不规则的、未规定的美学之间的对比可以被检验。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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