Editorial note

IF 0.3
George Lau
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Abstract

I am very pleased tomake several announcements on behalf of the journal, the editorial team and the advisory board. First, we are delighted to announce that the journal will now be indexed by Scopus, one of the top indexing and abstracting providers for academic research. Scopus gives us considerably greater coverage for various kinds of online/digitised searches. It extends the reach of the contributions published in the journal, allows us to connect to wider readerships, and will increase the visibility of our authors and their work. It is one more boon and incentive for scholars to chooseWorld Art for publishing their research and ensuring quality recognition. Second, we have a few updates regarding our content and submission guidelines. We are now on a regular programme of publishing three issues per year, which has been the case since 2019. This uptick built on the successes of the previous years, and total submissions have increased accordingly. It’s worth mentioning that at least one of the three issues each year will be published as a special themed issue. Proposals for special issues are always welcome, and any queries or expressions of interest can be directed to: worldart@uea.ac.uk. Any current calls for papers can always be found on the journal’s website: https://www.tandfonline.com. Of course, new manuscripts not intended for themed issues can be submitted at any time, and consideration of them proceeds on a rolling basis. This includes various kinds of contribution types (e.g., research articles, visual essays, art interventions, position pieces and interviews). Lastly, that brings us to the present issue, dedicated to ‘Art andEnvironmental Crisis,’ guest-edited by Renato Rodrigues da Silva and Tami Bogéa. This issue is inspired by recent developments and activities concerning art and the environment across the world. Recent impacts wrought by climate change, tied to global warming and other anthropogenic forces, are eroding theworld’s sustainability. At the same time, they reveal regional vulnerabilities, great inequalities inwealth and power, and legal andmoral transgressions. Many signs and sources of evidence point to a planet and its various ecosystems in flux and some teetering on the edge.
编辑注意
我很高兴代表期刊、编辑团队和顾问委员会发布几项声明。首先,我们很高兴地宣布,该期刊现在将被Scopus收录,Scopus是学术研究的顶级索引和摘要提供商之一。Scopus为我们提供了更大范围的在线/数字化搜索。它扩大了发表在期刊上的文章的范围,使我们能够与更广泛的读者建立联系,并将提高我们的作者及其工作的知名度。对于学者来说,选择《世界艺术》来发表他们的研究并保证质量的认可是一种福利和激励。其次,我们有一些更新关于我们的内容和提交指南。自2019年以来,我们每年定期出版三期。这一增长建立在前几年的成功基础上,提交的总数量也相应增加。值得一提的是,每年三期中至少有一期将作为专题特刊出版。欢迎对特殊问题提出建议,任何疑问或感兴趣的表达都可以直接发送到:worldart@uea.ac.uk。任何当前的论文征集都可以在该杂志的网站上找到:https://www.tandfonline.com。当然,不打算用于主题问题的新手稿可以随时提交,并且对其进行滚动审议。这包括各种类型的贡献(例如,研究文章,视觉文章,艺术干预,立场片和采访)。最后,这就把我们带到了本期,专门讨论“艺术与环境危机”,由雷纳托·罗德里格斯·达席尔瓦和塔米·博格萨玛客座编辑。本期杂志的灵感来自世界各地有关艺术和环境的最新发展和活动。最近由气候变化造成的影响,与全球变暖和其他人为因素有关,正在侵蚀世界的可持续性。与此同时,它们也暴露了地区的脆弱性、财富和权力的巨大不平等,以及法律和道德上的违规行为。许多迹象和证据来源表明,地球及其各种生态系统处于不断变化之中,有些在边缘摇摇晃晃。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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