Mike Tyson Tattoo

M. Hadley
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引用次数: 0

Abstract

MIKE TYSON's FACIAL tattoo has been described as one of the most distinctive tattoos in North America. It has attracted controversy as an example of the cultural appropriation of ta moko , the sacred culturally embedded tattooing practice of the Maori people of Aotearoa/New Zealand. It has also attracted much media attention for its place at the heart of Whitmill v. Warner Bros ., a rare litigated instance of a tattooist enforcing their copyright in a tattoo design. More than this, though, Tyson's tattoo is an excellent example of the tensions that emerge over the protection of traditional knowledge, and the difhculty of claiming one truth in an intellectual property world that was born in the Western philosophical tradition, and is only now beginning to come to terms with its colonial heritage. Mike Tyson's “warrior” tattoo was inked by Las Vegas tattooist S. Victor Whitmill in 2003. From the time of Tyson's firstpublic appearance with the tattoo, Maori activists and scholars were critical of it as a cultural appropriation of ta moko . Tyson's tattoo is monochrome, curvilinear, features two spiral shapes, and was placed around his left eye. Whitmill has described the “flow”: of Maori art as a design influence, and he created it after showing Tyson pictures of Maori moko . In Maori culture, facial moko is a privilege reserved for respected cultural insiders, and it represents and embodies the wearer's sacred genealogy and social status. Appropriating an individual's moko is profoundly offensive and akin to identity theft. But the controversy from the original tattoo wasn't the last of it. In THE HANGOVER PART II an exact copy of Tyson's tattoo was featured on the face of actor Ed Helms as part of a humorous plot device. Whitmill was outraged, and claimed copyright over his tattoo. In 2011 he sued Warner, arguing that they had violated his exclusive right to authorize derivative works. Whitmill's decision to sue stirred lingering resentments in Aotearoa/New Zealand around the tattoo's cultural content: in response to the litigation, Maori politician Tau Henare tweeted that it was a “a bit rich” that Tyson's tattooist was claiming someone had stolen the design, given that he had copied it from Maori without permission.
泰森纹身
泰森的面部纹身被认为是北美最具特色的纹身之一。它作为文化挪用ta moko的一个例子引起了争议,ta moko是新西兰Aotearoa毛利人神圣的文化纹身习俗。它还因其在惠特米尔诉华纳兄弟案(Whitmill v. Warner Bros .)中的核心地位而引起了媒体的广泛关注,这是一个纹身师在纹身设计上强制执行其版权的罕见诉讼案例。除此之外,泰森的纹身是一个很好的例子,说明了在保护传统知识的过程中出现的紧张局势,以及在一个诞生于西方哲学传统的知识产权世界中宣称一种真理的困难,而这个世界现在才开始接受它的殖民遗产。迈克·泰森的“勇士”纹身是2003年由拉斯维加斯纹身师s·维克多·惠特米尔(S. Victor Whitmill)纹身的。从泰森第一次带着纹身公开露面开始,毛利人活动家和学者就批评这是对塔莫科的文化挪用。泰森的纹身是单色的,曲线的,有两个螺旋形状,纹身在他的左眼周围。惠特米尔将毛利艺术的“流动”描述为一种设计影响,他在向泰森展示毛利moko的照片后创造了这一概念。在毛利人文化中,面部moko是为受尊敬的文化内部人士保留的特权,它代表和体现了佩戴者的神圣血统和社会地位。盗用他人的纹身是非常无礼的行为,类似于身份盗窃。但最初的纹身引发的争议并不是最后的。在《宿醉2》中,演员埃德·赫尔姆斯(Ed Helms)的脸上出现了一模一样的泰森纹身,作为幽默情节的一部分。惠特米尔非常愤怒,并要求获得自己纹身的版权。2011年,他起诉华纳,称华纳侵犯了他授权衍生作品的专有权。惠特米尔的起诉决定激起了新西兰对纹身文化内容的不满:作为对诉讼的回应,毛利人政治家Tau Henare在推特上说,泰森的纹身师声称有人偷走了他的纹身设计,这“有点太过了”,因为他未经许可就从毛利人那里复制了纹身。
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