Translating the Creative Process of Knitwear Design: from Manual to Digital Practices in a Material-driven Approach

M. Motta
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Abstract

For ages associated with manual work, in the paradigm shift through the Industry 4.0 knitwear is nowadays one of the industrial sectors that is most experiencing the dualism between craftsmanship and technological innovation. The article investigates the relationship between the creative process of knitwear and its tools, in a comparison between a traditional manual expertise and a constantly evolving technological knowledge. Through a case study, the article analyses the nodes that connect the creative and manual process to the production and technological ones, stressing the translation effort that a de-signer faces when switching from manual to electronic machines. A translation that requires a structured dialogue between designers and technicians, and that consists in evolutions that explore the possibilities and limits of the most up-to-date technologies, of traditional and innovative yarns and materials, of the processing techniques.
翻译针织品设计的创作过程:从手工到材料驱动的数字实践
多年来一直与手工劳动有关,在工业4.0的范式转变中,针织品是当今最能经历工艺与技术创新二元对立的工业部门之一。本文考察了针织品的创作过程和它的工具之间的关系,在传统的手工专业知识和不断发展的技术知识的比较。本文通过一个案例分析,分析了连接创意和手工过程与生产和技术过程的节点,强调了设计师在从手工转向电子机器时所面临的翻译工作。这种翻译需要设计师和技术人员之间有组织的对话,包括探索最新技术的可能性和局限性,传统和创新的纱线和材料,加工技术的演变。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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