Beit System Ali Bat Yam: On Music, Urban Regeneration, and the (re-) Making of Place

Nili Belkind
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Abstract

“So what happens when you put three Ukrainians, two Georgians, and one Arab together in a rehearsal room? Here is the result....” Amir thus introduced the debut performance of Contrasto, an ensemble of fourteen to twenty-year olds that developed out of music workshops offered at Beit System Ali (Home of System Ali). Amir is a young Palestinian rapper from Jaffa and the “one Arab” among the former Soviet Union (FSU) immigrants who call Bat Yam home. Contrasto was performing at “Party in the Yard,” an event where all Bat Yam and Jaffa youth working with members of the hip hop collective System Ali came together for the first time (March 25, 2015), in a shared evening of performances. The performance was staged outdoors at Mitham Geulim (Geulim Compound, aka Hamitham), which for the past four years has served as a home for the System Ali collective and for their educational projects. Currently supported by Mif‘al Hapayis – Israel’s national lottery – and by the Bat Yam municipality, the “Lottery’s Laboratory for the Culture of Beit System Ali Bat Yam”1 included at this time a well-equipped rehearsal room, an office, and a crumbling hangar slated to become a performance venue, in the mitham. Beit System Ali shares the mitham with the sports-focused youthbased Geulim community center, the Center for Ukrainian Culture, and Fest’ Factory, the administrative center of Bat Yam’s annual Street Theater Festival. Since the fall of 2014 and with the support of Mif‘al Hapayis and the municipality, Beit System Ali has been serving as a creative hub for youth who attend the different workshops and jam sessions run by members of System Ali or their expanding community. The workshops focus on music, rap, spoken word, poetry, sound production, and the development of music ensembles. What does it mean for three Ukrainians, two Georgians and an Arab to come together in a rehearsal room? This statement sounds like the beginning of a joke, one that destabilizes norms and practices based on structural divisions in Israeli society long maintained by hegemonic views, attendant policies, and inherent social tensions:
阿里·巴特·任姆:论音乐、城市再生和(重新)制造场所
“那么,当你把三个乌克兰人、两个格鲁吉亚人和一个阿拉伯人放在一个排练室里会发生什么?”这是结果....”因此,阿米尔介绍了“对比”的首次演出,这是一个由14到20岁的年轻人组成的合奏团,由贝特阿里系统(阿里系统之家)提供的音乐研讨会发展而来。阿米尔是一名来自雅法的年轻巴勒斯坦说唱歌手,也是前苏联(FSU)移民中“唯一的阿拉伯人”,他们把巴特Yam称为家。2015年3月25日,Contrasto在一个名为“Party in the Yard”的晚会上表演,所有Bat Yam和Jaffa青年与嘻哈团体System Ali的成员第一次聚在一起。这场表演在户外的Mitham Geulim (Geulim Compound,又名Hamitham)举行,在过去的四年里,这里一直是System Ali集体和他们的教育项目的家园。目前,在以色列国家彩票公司Mif 'al Hapayis和巴特亚姆市的支持下,“贝特系统阿里巴特亚姆文化彩票实验室”包括一间设备齐全的排练室、一间办公室和一个即将成为表演场地的破旧机库。拜特系统阿里与以体育为重点的青年社区中心、乌克兰文化中心和巴特Yam年度街头戏剧节的行政中心Fest ' Factory共享米特姆。自2014年秋季以来,在Mif 'al Hapayis和市政府的支持下,拜特系统阿里一直是青年的创意中心,他们参加由系统阿里成员或其不断扩大的社区举办的各种讲习班和即兴表演。工作坊的重点是音乐、说唱、口语、诗歌、声音制作和音乐合奏的发展。三个乌克兰人、两个格鲁吉亚人和一个阿拉伯人聚在一个排练室里,这意味着什么?这句话听起来像是一个笑话的开头,它破坏了基于以色列社会结构性分裂的规范和实践的稳定,这些分裂长期以来一直由霸权主义观点、随之而来的政策和固有的社会紧张局势维持。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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