An Irish-American in Paris: Swan Hennessy (1866–1929)

A. Klein
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Abstract

(Edward) Swan Hennessy (1866–1929) was an Irish-American composer resident in Paris from c1903, where he developed a reputation as a ‘Celtic’ composer, drawing mainly on his Irish heritage. Although the majority of his known works (numbering  more than 80) are still in print and occasionally performed, especially by chamber musicians, his life and career have hitherto remained largely unknown. Condensing aspects of the author’s forthcoming life-and-works monograph on the composer, this article is the first academic study to trace Hennessy’s biography and to provide a critical assessment of his music. It draws on genealogical information, archive material in the Hennessy family’s possession and other sources for establishing the composer’s Irish roots, the circumstances of his education, early career and travels in Europe. His network of contacts and influences in France and his reception on the musical scene and in the press are also examined, with extensive use of sources from England, Ireland and Germany as well as France, including reviews of concerts and his published music. While the focus of the article is on the nature of and reasons for Hennessy’s musical celticism, the assessment of his music also encompasses the non-celticist works that reveal an impressionist voice influenced by Debussy and Ravel. The article concludes with a comprehensive catalogue of Hennessy’s compositions.
在巴黎的爱尔兰裔美国人:斯旺·轩尼诗(1866-1929)
斯旺·轩尼诗(1866-1929)是一位爱尔兰裔美国作曲家,从1903年开始居住在巴黎,在那里他以“凯尔特”作曲家的身份而闻名,主要是利用他的爱尔兰血统。尽管他的大部分知名作品(超过80部)仍在印刷中,偶尔还会被演奏,尤其是由室内音乐家演奏,但他的生活和事业迄今为止仍不为人所知。这篇文章浓缩了作者即将出版的关于作曲家生平和作品的专著的各个方面,是第一个追踪轩尼诗传记的学术研究,并对他的音乐提供了一个批判性的评估。它借鉴了家谱信息、轩尼诗家族拥有的档案材料和其他来源,以确定作曲家的爱尔兰根源、他的教育环境、早期职业生涯和欧洲旅行。他在法国的联系网络和影响以及他在音乐界和新闻界的接待也被检查,广泛使用来自英国,爱尔兰和德国以及法国的资源,包括音乐会的评论和他出版的音乐。虽然文章的重点是对轩尼诗的音乐的性质和原因,他的音乐的评估也包括非凯歌主义作品,揭示了受德彪西和拉威尔影响的印象派的声音。这篇文章以一份全面的轩尼诗作品目录作结。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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