Flames of Time:

K. Parsons
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引用次数: 0

Abstract

The manuscript as narrator in Icelandic children’s novel Bál tímans (2022) belongs to a literary tradition of sentient object narrators who document the domestic spaces in which they circulate. Bál tímans shifts the reader’s focus to normally invisible manuscript owners and users, including women and children, bringing attention to disparities in access created through archive-building activities. In domestic settings, Möðruvallabók is accessible to a broad segment of the Icelandic population through practices of social reading, women’s book ownership, and home education. In the archive, human-manuscript interactions are restricted to a narrow and initially male-only elite. While tensions between preservation and access are resolved when the codex is exhibited in a museum space where it can share its stories with a wider audience, Bál tímans examines what can be lost by bringing cultural objects into archival spaces.
时间之焰:
冰岛儿童小说Bál tímans(2022)中作为叙述者的手稿属于一种文学传统,即有感觉的对象叙述者记录他们所处的家庭空间。Bál tímans将读者的注意力转移到通常不可见的手稿所有者和用户上,包括妇女和儿童,引起人们对通过档案建设活动产生的访问差异的关注。在家庭环境中,通过社会阅读、妇女图书所有权和家庭教育的做法,广大冰岛人口可以访问Möðruvallabók。在档案中,人类与手稿的互动仅限于一个狭窄的、最初只有男性的精英群体。当手抄本在博物馆空间展出时,保存和访问之间的紧张关系得到了解决,它可以与更广泛的观众分享它的故事,Bál tímans研究了将文物带入档案空间可能会失去什么。
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