Disaffected Parties, 1688–1832

J. Havard
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Abstract

This first chapter provides an overview of some of the changing guises taken by disaffected political attitudes between the 1688 Revolution and the onset of liberal governance in the early nineteenth century, examining how these took shape across a range of genres, including Nahum Tate’s poetry, the writings of Jonathan Swift, a 1770 visual print, and the early nineteenth-century periodical Egeria. The chapter attends to historical flashpoints including the fall of Robert Walpole and the movement around John Wilkes (by way of attention to the ‘parties’ assembled around a 1770 theatrical controversy) and concludes with attention to the ‘political science’ and reimagined sympathies that accompanied the transition into nineteenth-century liberalism. The chapter thus provides broad frameworks in which to locate the detailed case studies that follow and introduces this book’s expanded approach to the ‘parties’ of political activity.
不满的政党(1688-1832
第一章概述了在1688年革命和19世纪早期自由主义统治开始之间,不满的政治态度所表现出的一些变化,考察了这些变化是如何在一系列体裁中形成的,包括纳胡姆·泰特的诗歌,乔纳森·斯威夫特的作品,1770年的视觉印刷品,以及19世纪早期的期刊《埃及》。这一章关注历史热点,包括罗伯特·沃波尔的倒台和围绕约翰·威尔克斯的运动(通过关注围绕1770年戏剧争议聚集起来的“政党”),并以关注“政治科学”和重新想象的同情结束,这些同情伴随着向19世纪自由主义的过渡。因此,本章提供了一个广泛的框架,在这个框架中,可以找到接下来的详细案例研究,并介绍了本书对政治活动的“政党”的扩展方法。
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