Over-the-shoulder shot detection in art films

M. Svanera, Sergio Benini, N. Adami, R. Leonardi, A. Kovács
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引用次数: 17

Abstract

The ability to characterize a film, in terms of its narrative and style, is becoming a necessity especially for developing personal video recommendation systems to better deliver on-demand Internet streaming media. Among the set of identifiable stylistic features which play an important role in the film's emotional effects, the use of Over-the-shoulder (OtS) shots in movies is able to convey a big dramatic tension on the viewers. In this work we propose a methodology able to automatically detect this kind of shots by combining in a SVM learning scheme some state-of-the-art human presence detectors, with a set of saliency features based on colour and motion. In the experimental investigation, the comparison of obtained results with manual annotations made by cinema experts proves the validity of the framework. Experiments are conducted on two art films directed by Michelangelo Antonioni belonging to his famous “tetralogy on modernity and its discontent”, one in shades of gray (L'avventura, 1960), and the other in colour motion (Il deserto rosso, 1964).
艺术电影中的过肩镜头检测
从叙事和风格的角度来描述一部电影的特征,正变得越来越必要,尤其是对于开发个人视频推荐系统,以更好地提供按需的互联网流媒体来说。在一系列可识别的风格特征中,对电影的情感效果起着重要作用,电影中肩部镜头的使用能够给观众传达一种巨大的戏剧张力。在这项工作中,我们提出了一种能够自动检测这种镜头的方法,该方法将一些最先进的人类存在检测器与一组基于颜色和运动的显著性特征结合在一起。在实验研究中,将得到的结果与影院专家手工标注的结果进行了比较,证明了该框架的有效性。实验是对米开朗基罗·安东尼奥尼导演的两部艺术电影进行的,这两部电影属于他著名的“现代性及其不满四部曲”,一部是灰色阴影(《冒险》,1960),另一部是彩色运动(《红色沙漠》,1964)。
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