The Art of Afro-Latina Consciousness-Raising in Shadowshaper

E. Diaz
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Abstract

Drawing on popular trends of zombies, magic, and superheroes in young adult fiction and blockbuster film franchises, author Daniel José Older presents Sierra Santiago, an Afro-Latina hero in Shadowshaper (2015) who combats local forces of cultural appropriation and gentrification in her Bedford-Stuyvesant neighborhood of Brooklyn, New York. This chapter focuses on the critical role of street art in her analysis of Shadowshaper and, specifically, the community muralists that, in the late twentieth century, established urban spaces as Latina/o and Chicana/o barrios. By positioning Sierra at the center of community muralism, Older disrupts the absence of Latina/o artists and, particularly female artists, by foregrounding moments of artistic processes throughout the novel, including descriptions of Sierra’s stream of consciousness as she makes art that reflects Afro-Latinidad.
《影形者》中非裔拉丁人的觉醒艺术
根据青少年小说和大片中僵尸、魔法和超级英雄的流行趋势,作者丹尼尔·约瑟夫·奥德在《Shadowshaper》(2015)中呈现了拉美裔英雄塞拉·圣地亚哥,她在纽约布鲁克林的贝德福德-史岱文森社区与当地的文化盗用和士绅化势力作斗争。这一章主要关注街头艺术在她对Shadowshaper的分析中的关键作用,特别是在20世纪后期,社区壁画家将城市空间建立为拉丁裔和墨西哥裔。通过将塞拉定位于社区壁画艺术的中心,奥尔德打破了拉丁裔艺术家的缺席,尤其是女性艺术家,通过在小说中突出艺术过程的时刻,包括对塞拉创作反映非裔拉丁人的艺术时的意识流的描述。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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