The politics of rhetoric: Re-membering and re-narrating ‘bodily’ resistances in Rabijita Gogoi’s plays

N. Pathak
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Abstract

Orality can be termed as a ‘live experience’ of rhetoric, which enables the listener to engage with what is being said. Within the framework of oral culture, memory can serve as a tool of potent interaction and subversive tendencies to expose exploitative urges and also to produce contrary effects. Memory supplanted with rhetoric, the power of language and arguments, can respond to the situation of the oppressed. The role of rhetoric in motivating action can also take us to a world of verbal and symbolic narratives of politics. In performances like Rongphorpi Rongbe and Gaantha: The First Text, the performative of rhetoric not only offers subversive approach to history/history-making but also provides opportunity for the evocation of the past in an animated language that delivers activism and campaigns for a political reform.
修辞的政治:回忆和重新叙述拉比吉塔·戈戈伊戏剧中的“身体”抵抗
口语可以被称为修辞的“现场体验”,它使听者能够参与到所说的内容中。在口头文化的框架内,记忆可以作为一种强有力的互动和颠覆倾向的工具,以暴露剥削冲动并产生相反的效果。被修辞取代的记忆,语言和辩论的力量,可以回应被压迫者的处境。修辞在激励行动中的作用也可以把我们带到一个政治的口头和象征性叙事的世界。在像《Rongphorpi Rongbe》和《Gaantha: The First Text》这样的表演中,修辞的表演不仅提供了对历史/历史创造的颠覆性方法,而且还提供了以生动的语言唤起过去的机会,传递了政治改革的激进主义和运动。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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