The Ecological Vision of Space in Gary Snyder’s Ecopoetry

Arvind Dahal
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引用次数: 1

Abstract

The paper seeks to investigate the ecological vision of Space in Gary Snyder’s ecopoetry which exclusively exposes how humans have modified the planetary space naively and accelerated it greatly in the name of promoting technology and consumption oriented industrial economy. Snyder’s ecopoetry is a poetic response to the growing environmental concerns and he aims to reconnect humans to nature in the face of a threatened world. Snyder’s poems; “The Berry Feast”, “Mid-August at Sourdough Mountain Lookout”, “By Frazier Greek” and “Riprap” are analyzed in the light of his “Deep Ecological” movement and the central environmental problem of Space which reminds us that our planetary space is limited, and the growing threats to that space require us to reconsider our relationship to that space and use of it. My contention in this paper is to argue that Snyder views the boundary made between humans and nonhumans, place and non-place as hubristic in nature because humans are still insouciant about where the boundaries originated. Theoretical insights from Henri Lefebvre, Lawrence Buell, Martin Heidegger, HomiBhaba, Marc Auge, Yi-Fu Tuan and Gary Snyder reframe the relationships of humans to the natural world, in this paper. Their conceptions of those relationships are premised on a particular idea of space as boundaried: this is the human world and that is the natural one.
加里·斯奈德生态诗歌中的空间生态视野
本文试图考察加里·斯奈德生态诗歌中的空间生态视野,它独家揭示了人类如何以促进技术和消费导向的工业经济的名义对地球空间进行了天真的改造和极大的加速。施耐德的生态诗是对日益增长的环境问题的诗意回应,他的目标是在面临威胁的世界时将人类与自然重新联系起来。斯奈德的诗歌;“浆果盛宴”,“八月中旬在酸面山瞭望”,“Frazier Greek”和“Riprap”根据他的“深层生态”运动和空间的中心环境问题进行分析,提醒我们我们的行星空间是有限的,对空间的日益增长的威胁要求我们重新考虑我们与空间的关系和使用它。我在本文中的论点是,Snyder认为人类与非人类、地点与非地点之间的界限在本质上是傲慢的,因为人类仍然不关心界限的起源。Henri Lefebvre, Lawrence Buell, Martin Heidegger, HomiBhaba, Marc Auge, Yi-Fu Tuan和Gary Snyder的理论见解重新构建了人类与自然世界的关系。他们对这些关系的概念是以空间有界限的特定观念为前提的:这是人类世界,那是自然世界。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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