Conclusion

Aaron J. Kachuck
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Abstract

The conclusion re-articulates the book’s model of the solitary sphere in the age of Virgil within the context of imperial politics, showing how this sphere helped shape new coordinations of cosmos, imperium, and the individual. It shows the role played in this process by newly popular genres like pantomime and the newly (or newly fashioned) subjective element of literary characterization, and demonstrates how this sphere’s new forms are embodied by two work from after the age of Virgil: Manilius’ Astronomica and one of Marcus Argentarius’ epigrams. Following comparison of their figures of the solitary singer with the companionate model of reading evinced by other works before, during, and after the age of Virgil, it shows how Tiberianus’ Amnis ibat took up the age of Virgil’s terms for the solitary sphere in order to invite the reader to think of oneself, with his poem, as an imperium of one.
结论
结论部分重新阐述了维吉尔时代在帝国政治背景下的孤独领域模型,展示了这个领域如何帮助塑造了宇宙、帝国和个人之间的新协调。它展示了在这一过程中,新流行的体裁,如童话剧和新(或新流行的)文学人物塑造的主观元素所起的作用,并展示了维吉尔时代之后的两部作品如何体现了这一领域的新形式:曼尼留斯的《天文学》和马库斯·阿根塔利乌斯的警句之一。将他们对孤独的歌者的形象与维吉尔时代之前,期间和之后的其他作品所证明的同伴式的阅读模式进行比较,可以看出提比里亚努斯的《阿弥斯·伊巴特》是如何利用维吉尔时代对孤独领域的描述,以邀请读者通过他的诗把自己想象成一个人的帝国。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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