The Dominicans as Conveyors of Mesoamerican Objects to Italy and Europe

D. Domenici
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引用次数: 1

Abstract

It has been customary to trace back to the early shipments sent by the Spanish conquistadors most of the Mesoamerican artefacts held in ancient European collections. Early 21st-century scholarship, however, has demonstrated that Dominican friars such as Domingo de Betanzos (1480–1549) had a key role in bringing indigenous objects from Mexico to Italy during the 16th century. This new understanding allows a rethinking of the ideological motivations that ignited the transatlantic circulation of indigenous artefacts; textual analysis of relevant sources, in fact, reveals that they were observed and understood within a missionary discourse on indigenous ingenuity, rationality, and convertibility. Once in Italy, the objects entered local art collections in Bologna, Rome, Florence, and other Italian cities, where they aroused an antiquarian approach to their study. The investigation of the collection history of these objects, which in some instances ended up in museums in other European countries, shows that our knowledge of many of the most iconic Mesoamerican artworks known today can be traced back to the actions of the Dominican friars.
多米尼加人作为中美洲物品到意大利和欧洲的传送带
古代欧洲人收藏的大多数中美洲文物,通常可以追溯到西班牙征服者早期运送的船只。然而,21世纪早期的学术研究表明,多明戈·德·贝坦佐斯(Domingo de Betanzos, 1480-1549)等多米尼加修士在16世纪将本土文物从墨西哥带到意大利的过程中发挥了关键作用。这种新的理解让我们重新思考激发本土文物跨大西洋流通的意识形态动机;事实上,对相关资料的文本分析表明,它们是在一种关于本土独创性、理性和可兑换性的传教话语中被观察和理解的。一到意大利,这些物品就进入了博洛尼亚、罗马、佛罗伦萨和其他意大利城市的当地艺术收藏,在那里它们引起了古物学家对它们的研究。对这些物品的收藏历史的调查表明,我们对今天已知的许多最具代表性的中美洲艺术品的了解可以追溯到多米尼加修士的行动。这些物品在某些情况下最终被其他欧洲国家的博物馆收藏。
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