Exílio, memória e melancolia em «Hanói», de Adriana Lisboa

Ana Maria Lisboa de Mello
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引用次数: 0

Abstract

Based on a review of historical events, especially in the 20th and 21st centuries, which caused immeasurable displacements of human beings, this article proposes to analyse the «migrant writing» in the Hanoi novel, by Adriana Lisboa, bringing a reflection about exile, transculturality, memory, post-memory and melancholy, aspects present in heiresses of family traumas or exiled characters. Hanoi brings the complexity of these human transits, the implications originated from the deterritorialization and coexistence with other cultures, experiences that cause strangeness in the world’s apprehension. In this novel, the Vietnam refugees in the USA need to adapt to a new culture and language, both very different from their own.
阿德里亚娜·里斯本(Adriana Lisboa)的《河内的流亡、记忆和忧郁》(hanoi)
在回顾历史事件的基础上,特别是在20世纪和21世纪,这些历史事件造成了不可衡量的人类流离失所,本文试图分析Adriana Lisboa的河内小说中的“移民写作”,带来对流亡,跨文化,记忆,后记忆和忧郁的反思,以及家庭创伤继承人或流亡人物的方面。河内带来了这些人类过境的复杂性,其含义源于与其他文化的非领土化和共存,以及在世界忧虑中引起陌生感的经历。在这部小说中,在美国的越南难民需要适应一种与他们自己的文化和语言截然不同的新文化和语言。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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