Preliminary Analysis of Wangwei(王維)’s poems based on Conceptual Blending Theory: Focused on the Usage of Allusion

Yun-Gyeong Lee
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Abstract

The purpose of this paper is to analyze the poems of Wangwei (王維, 701~761) through ‘Conceptual Blending Theory’ and to examine the imagery and implications of the poems. Among the poems, the analysis was conducted by selecting four poems that used Allusion as an expression method. Wangwei is one of the poets that represent the Tang Dynasty. His poems that uses various themes and methods of expression, have been widely respected in the history of literature. Among the various methods of expression, Wangwei creatively used the allusion method. However, since the range of sources of allusion is vast, readers need to understand the background behind the creation of a lyric and the implications of that lyric in order to fully appreciate the poem. Accordingly, it was difficult to interpret and the author raised the need for further research. In order to analyze Wangwei's poems due to the unique implications of poetry and the creative use of the poet's use of the allusion method, it is necessary to understand the relationship between the superficial presentation of the words in the lyric and the intent of the lyric. This paper is meaningful in effectively explaining how creative imagery are created through ‘the Integration network’, the cognitive model based presented in the Conceptual Blending Theory.
从概念交融论浅析王维诗歌——以典故的运用为中心
本文的目的是运用“概念融合论”来分析王维(王维,701~761)的诗歌,并考察其意象和意蕴。在这些诗歌中,选取了四首以典故为表达方式的诗歌进行分析。王维是唐代诗人的代表人物之一。他的诗歌题材多样,表现手法多样,在文学史上享有盛誉。在多种表现手法中,王维创造性地运用了典故手法。然而,由于典故来源的范围是广泛的,读者需要了解一首诗的创作背景和歌词的含义,才能充分欣赏这首诗。因此,很难解释,作者提出了进一步研究的必要性。要分析王维的诗歌由于其独特的诗歌意蕴和诗人对典故手法的创造性运用,有必要了解歌词中词语的表面呈现与歌词意图之间的关系。本文对如何通过概念融合理论中提出的认知模型“整合网络”来有效地解释创造性意象是如何产生的有意义。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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