{"title":"Recent Zones of Portraiture: The Selfie","authors":"T. Bruś","doi":"10.5463/EJLW.6.227","DOIUrl":null,"url":null,"abstract":"In the “age of the selfie” (Jerry Saltz), we gauge the self as active. This paper proposes to engage the selfie as a dominant and enlarging practice of assertion and performance of lived existence. I align the selfie with the snapshot, making a point about their extraordinary cultural force and productivity determined by their distinctive economies and technical bases as well as cultural statuses. An expression of our desire to be visible in the social world, the selfie, I argue, is a sub-genre of portraiture which exposes and “proliferates” our face as an activity promising interaction. In the “post-face” phase of our culture this performative face is a surface of the visual present, always in the making. This article was submitted to the European Journal of Life Writing on May 24th 2016, and published on July 12th 2017.","PeriodicalId":263826,"journal":{"name":"The European Journal of Life Writing","volume":"37 1","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"2017-07-12","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"4","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"The European Journal of Life Writing","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.5463/EJLW.6.227","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
引用次数: 4
Abstract
In the “age of the selfie” (Jerry Saltz), we gauge the self as active. This paper proposes to engage the selfie as a dominant and enlarging practice of assertion and performance of lived existence. I align the selfie with the snapshot, making a point about their extraordinary cultural force and productivity determined by their distinctive economies and technical bases as well as cultural statuses. An expression of our desire to be visible in the social world, the selfie, I argue, is a sub-genre of portraiture which exposes and “proliferates” our face as an activity promising interaction. In the “post-face” phase of our culture this performative face is a surface of the visual present, always in the making. This article was submitted to the European Journal of Life Writing on May 24th 2016, and published on July 12th 2017.