The Light Within: A pilot study, or a ‘Note from the Field’, examining the spontaneous production of light-emitting astronomical objects in child art

Gordon Chinamasa, T. Christian, R. Kimbell
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Abstract

The authors conducted research into the automatic artistic representation of luminous astronomical objects, especially the sun, in children’s art. 25 artworks were collected and analyzed from local-area school-aged children of varying ages (ages 5-17). It was found that 100% of the drawings produced by children displayed some type of luminous astronomical object. Of these, 92% exhibited the sun exclusively. Too, 92% of the qualitative descriptions by the child participants expressed daytime features per se. Furthermore, 88% of the drawings revealed, strictly speaking, preference for either left or right page-orientation. That is, children drew the sun on either the left or right side of the page; children very rarely drew light emitting objects in the center of the page. The authors speculate about the various and compelling meanings associated with the data by way of four theoretical models: 1) Biological; 2) Psychological; 3) Philosophical- Religious; and, 4) Anthropological.  Keywords: Psychology of art, Art interpretation, Child art, Philosophy of art, Psychology and Nature interface.
内在之光:一项试点研究,或“来自现场的笔记”,研究儿童艺术中自发产生的发光天体
作者对发光天体,特别是太阳在儿童艺术中的自动艺术表现进行了研究。从当地不同年龄(5-17岁)的学龄儿童中收集并分析了25件艺术品。结果发现,孩子们画的画100%都是某种发光的天体。其中92%只显示太阳。同样,92%的儿童参与者的定性描述本身表达了白天的特征。此外,严格地说,88%的图画显示了对左或右页面方向的偏好。也就是说,孩子们在纸的左边或右边画太阳;孩子们很少在纸的中心画发光的物体。作者通过四个理论模型推测了与数据相关的各种令人信服的意义:1)生物学;2)心理;3)哲学-宗教;4)人类学。关键词:艺术心理学,艺术诠释,儿童艺术,艺术哲学,心理学与自然界面。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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