DOGMATIC SENSES OF ST. GEORGIY (KONYS’KYJ’S) DRAMA “RESURRECTION OF THE DEAD PEOPLE”

A. Tsarenok
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Abstract

Analyzing the old Ukrainian didactic drama “Ressurection of the dead people”, written in the middle of the 18th century by Kyiv-Mohyla Academy professor Georgiy (Konys’kyj), scientists very often pay attention to its expressive social and ethical dimension. At the same time, this well-known monument of literature must be regarded as a work, which possesses remarkable dogmatic senses as well. The aim and the tasks. The aim of the article is exploring of the connection of the drama “Ressurection of the dead people” text with sphere of the Orthodox dogmatic theology. It`s necessary to mention such tasks of the study as pointing out the different dogmatic senses of the drama and making analysis of them. Research methods. Exploring the text of the didactic drama by Georgiy (Konys’kyj), the author of the article uses 1) the cultural and contextual method, 2) the method of psychology of artistic creation and such general scientific methods as 3) the comparative method, 4) the method of systematization and 5) the method of generalization. Research results. As one can understand easily after acquaintance with the name of the drama, its central dogmatic ideas are naturally connected with the Christian eschatology: Georgiy (Konys’kyj) preaches the future resurrection of all dead people and reminds both his contemporaries and future generations of the Final Judgment. Moreover, we find the manifestation of author’s strong belief in the Holy Trinity, in the Divine and the Human Natures of Christ, in the majesty and the great role of the Atoning Sacrifice, in the immortality of human souls, in the Providence, etc. in the text. Conclusion. The text of Georgiy (Konys’kyj`s) didactic drama “Ressurection of the dead people” is regularly influenced by the important constituents of the Orthodox dogmatic doctrine (eschatology, Triadology, Christology, etc.). Taking into consideration the research results helps us to get better understanding of philosophical and theological views of such a famous hierarch as saint Georgiy (Konys’kyj) and to overcome some wrong interpretations of his works.
圣格奥尔基戏剧《死人复活》的教条式意义
在分析由基辅-莫希拉学院教授Georgiy (Konys 'kyj)于18世纪中期撰写的古老的乌克兰说教剧“死者的复活”时,科学家们经常关注其表达的社会和伦理维度。同时,这部著名的文学巨著也必须被视为一部作品,它具有显著的教条式意义。目标和任务。本文旨在探讨戏剧《死人复活》文本与东正教教义神学领域的联系。指出并分析戏剧的不同教条化意义是本研究的重要任务。研究方法。本文运用文化语境法、艺术创作心理学法和一般科学方法(3)比较法、4)系统化法、5)泛化法对格奥尔基(Konys’kyj)的训导剧文本进行了研究。研究的结果。只要知道剧名,就可以很容易地理解,它的中心教义思想自然与基督教的末世论联系在一起:乔基(Konys’kyj)宣扬所有死人未来的复活,并提醒他的同时代人和后代最后的审判。此外,我们发现作者的表现,在神圣的三位一体,在神性和人性的基督,在威严和伟大的作用的赎罪牺牲,在不朽的人类灵魂,在普罗维登斯等文本的强烈信念。结论。格奥尔基(Konys 'kyj)的说教戏剧“死人复活”的文本经常受到东正教教义教义(末世论,三位一体论,基督论等)的重要组成部分的影响。研究结果有助于我们更好地理解圣格奥尔基(Konys’kyj)这样一位著名的宗师的哲学和神学观点,并克服对其作品的一些错误解释。
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