{"title":"Generalized overlap-add sinusoidal modeling applied to quasi-harmonic tone synthesis","authors":"E. George, M.J.T. Smith","doi":"10.1109/ASPAA.1993.379971","DOIUrl":null,"url":null,"abstract":"Analysis-by-synthesis/overlap-add (ABS/OLA) sinusoidal modeling has been successfully demonstrated as an accurate, flexible, and computationally tractable representation for the purposes of speech modification and harmonic tone synthesis; however, the model formulation used to synthesize these signals does not take full advantage of the structure of quasi-harmonic music signals. This paper describes a generalized overlap-add sinusoidal model formulation that accounts for the time-frequency behavior of quasi-harmonic tones and which reduces to the previous formulation as a special case.<<ETX>>","PeriodicalId":270576,"journal":{"name":"Proceedings of IEEE Workshop on Applications of Signal Processing to Audio and Acoustics","volume":"95 1","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"1993-10-17","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"5","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"Proceedings of IEEE Workshop on Applications of Signal Processing to Audio and Acoustics","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1109/ASPAA.1993.379971","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
引用次数: 5
Abstract
Analysis-by-synthesis/overlap-add (ABS/OLA) sinusoidal modeling has been successfully demonstrated as an accurate, flexible, and computationally tractable representation for the purposes of speech modification and harmonic tone synthesis; however, the model formulation used to synthesize these signals does not take full advantage of the structure of quasi-harmonic music signals. This paper describes a generalized overlap-add sinusoidal model formulation that accounts for the time-frequency behavior of quasi-harmonic tones and which reduces to the previous formulation as a special case.<>