Transforming folklore into stage performance: the role of oral literature as local resources for traditional performing arts in Indonesia

Djarot Heru Santosa, Heni Siswantari, Niswi Mukarromah
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Abstract

The transformation of folklore as oral literature is often used for traditional performances. Its function is to strengthen the resilience of a local culture. This research aims to gain better knowledge about the transition process of traditional theatre performances to increase the awareness of the local community. The method used in this research uses a qualitative approach with an explanatory analytical approach and focuses on a multidisciplinary approach that comes from the theory of several branches of science. The results obtained from this study, namely the oral literature of the archipelago, have an important role in historical knowledge. The use of oral literature in stage performances makes a simple story more complex, one of which is manifested in the performing arts of the Dolalak dance. The conclusion that can be drawn is that the transformation of folklore as oral literature into stage performances provides a spiritual experience for the community because it is packaged interestingly through the dance movements. This article will contribute to the use of oral literature as a source of stories in traditional performances so that the results can be used to nurture and maintain the resilience of a local culture
将民间传说转化为舞台表演:口头文学作为印度尼西亚传统表演艺术的地方资源的作用
民间传说转化为口头文学常用于传统表演。它的功能是加强当地文化的复原力。本研究旨在了解传统戏剧表演的转型过程,以提高当地社区的认识。本研究使用的方法采用定性方法和解释分析方法,并侧重于多学科方法,该方法来自多个科学分支的理论。从这项研究中获得的结果,即群岛的口头文学,在历史知识中具有重要作用。口头文学在舞台表演中的运用使一个简单的故事变得更加复杂,其中一个表现就是多拉克舞的表演艺术。可以得出的结论是,民间传说作为口头文学转化为舞台表演,因为它通过舞蹈动作进行了有趣的包装,为社区提供了一种精神体验。本文将有助于在传统表演中使用口头文学作为故事的来源,以便结果可以用来培育和保持当地文化的弹性
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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