Breaking the Barriers: Displacement to Self- Realization in Bharati Mukherjee’s The Tiger’s Daughter

Adalya Journal Pub Date : 2020-11-02 DOI:10.37896/aj9.11/001
R. Kalyasundaram, Dr. M. Sangeetha, R. Manikandan
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引用次数: 1

Abstract

This paper is an in-depth analysis of women characters in the novel of Bharati Mukherjee. Mukherjee's entire fiction is characterized by variations on the themes of immigration, displacement, and the re-creation of identities. She calls herself an American writer of Tara in The Tiger’s Daughter is analyzed particularly of women migrants. The change in the place and time brings about a change that happens independently of the sex. The conventional experience of the migrant revolves around the phases of alienation, displacement, dislocation, and depression. By breaking this Mukherjee introduces the feelings of acceptance, delight, and pleasure in being a part of the host land. Displacement theory is applied for the study. The oddities and brutalities they underwent and the transitions of the heroines are explored in the paper.
打破障碍:在巴拉蒂·慕克吉的《老虎的女儿》中置换到自我实现
本文对巴拉蒂·慕克吉小说中的女性角色进行了深入分析。慕克吉的整个小说都以移民、流离失所和身份再创造等主题的变化为特征。她在《老虎的女儿》中称自己为美国作家塔拉,特别分析了女性移民。地点和时间的变化带来了一种与性别无关的变化。移民的传统经验围绕着异化、流离失所、错位和抑郁的阶段展开。通过打破这一点,慕克吉介绍了作为东道国一部分的接受、喜悦和愉悦的感觉。应用位移理论进行了研究。本文探讨了她们所经历的怪异和残酷以及女主人公的转变。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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