Sameness and Ipseity Play in African Tales: Case of the Kéra in Cameroon

Ezéchiel Nyassiri
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Abstract

This article aims at making it easier to understand the functioning of tradi-orality in African civilizations through the study of the relationship between « Sameness » and « Ipseity » as perceived within the Kéra community of Cameroon, in the light of a sample of 56 tales. We seek to analyse, beyond the ethnic and cultural diversity that characterizes this country, the perception of the world according to the Kéra and the axiological strategic choices of which this corpus avails itself in their design of construction of the policies of living together. Only, are the stakes of such an interaction, between identity and alterity, able to draw, effectively, the contours of salutary actions in terms of living together, a guarantee of sustainable development of people? The epistemological approach is carried out alternately through the prism of historical, formalist then symbological or even axiological-ideological determinations, and engages in a metatheoretical corridor comprising mainly, as a tool of literary analyses, the oral literary aesthetics of Samuel-Martin ENO-BELINGA. The work is subdivided into three parts: “General presentation of the Kéra cultural domain”; “Textualization of the identity and otherness play”; “Symbological, axiological and ideological assessments”.
非洲故事中的同一性与易变性:以喀麦隆的ksamra为例
本文旨在以56个故事为样本,通过研究喀麦隆ksamra社区所感知的“相同”和“不平等”之间的关系,使人们更容易理解非洲文明中传统道德的功能。我们试图在这个国家的种族和文化多样性特征之外,分析根据ksamra对世界的看法以及这一主体在设计共同生活政策的建设时所利用的价值论战略选择。只有在同一性和差异性之间的这种相互作用的利害关系能够有效地勾勒出共同生活方面有益行动的轮廓,才能保证人民的可持续发展?认识论的方法是通过历史的、形式主义的、符号学的甚至价值论的意识形态决定的棱镜交替进行的,并参与了一个元理论的走廊,主要包括作为文学分析工具的塞缪尔-马丁·埃诺-贝林加的口头文学美学。这项工作分为三个部分:“ksamra文化领域的一般介绍”;“身份与他者游戏的文本化”;“符号学、价值论和意识形态评估”。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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