Fragmentation and Postmodern studies: An analysis of Mohsin Hamid’s Novel “How to get filthy rich in rising Asia”

U. Munir, Q. Sumaira
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引用次数: 1

Abstract

In this study, the fragmentation as postmodernist narrative technique in Mohsin Hamid’s novel “How to get filthy rich in rising Asia” is examined. He uses structural inequalities, grammatically incorrect sentences, phrases and dependent clauses. The term fragmentation is coined by Bell Hooks to highlight the problem of “hierarchy of oppression” within the feminist paradigm. Fragmentation is the major thematic concern of postmodern art that sets new parameters for the narrative techniques of postmodern literature. Fragmentation in the literary work involves complexity on semantic level where the various words act as signifier and signified at the same time. Therefore, this study probes the fundamentals of fragmentation in the text that reflects the radical changes in the postmodern society and focuses on the little narratives that create fragmented truth and cause anarchy, uncertainty and chaos in the world.
碎片化与后现代研究——莫辛·哈米德小说《如何在崛起的亚洲致富》分析
本文考察了哈米德小说《如何在崛起的亚洲致富》中作为后现代主义叙事手法的碎片化。他使用结构不平等、语法错误的句子、短语和从属从句。“碎片化”一词是贝尔·胡克斯(Bell Hooks)为了强调女权主义范式中的“压迫等级”问题而创造的。碎片化是后现代艺术的主要主题,它为后现代文学的叙事技巧设定了新的参数。文学作品的碎片化涉及到语义层面的复杂性,各种词语同时充当能指和所指。因此,本研究在反映后现代社会剧烈变化的文本中探究碎片化的基本原理,并将重点放在制造碎片化真相并导致世界无政府状态、不确定性和混乱的小叙事上。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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