Tanti Auguri, Tony!

Kate van Orden
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Abstract

The present issue of Journal of Musicology is the first of two containing articles from the ‘‘International Conference on the Italian Madrigal, 1550–1610, and 70th Birthday Celebration for Anthony Newcomb,’’ which was held at the Doreen B. Townsend Center for the Humanities at the University of California, Berkeley, 9–10 November 2011. Generous funding for the conference was provided by the Dean of Humanities, the Department of Music, the Department of Italian Studies, the History of Art Department, and the Townsend Center for the Humanities at the University of California, Berkeley, and these sponsors should be thanked at the outset, for without their support, this remarkable gathering of scholars from across Europe and the United States would not have been possible. The foregoing list of backers will include surprises for those who do not know some details of Tony Newcomb’s long and distinguished career. A virtual California native, in 1949 Tony moved with his family from New York City to the Bay Area, where as a youngster he studied with Darius Milhaud, by then at Mills College. Not wanting to play favorites when it came time for university, he attended both Stanford University (1958–1959) and the University of California, Berkeley (BA 1962). He took his PhD at Princeton University in 1969, having already landed a premier position at Harvard University the year before, but by 1973 he was back at Berkeley, an institution to which he has remained staunchly loyal. Alongside his invaluable teaching and mentoring, his contributions to the university include helping to found the Italian Studies Department in 1984; serving as Dean of Arts and Humanities from 1990 to 1998, when he saw the College of Letters and Sciences through a period of great transformation; and chairing both the Department of Music and the History of Art Department. In addition to his national honors—including election to the American Academy of Arts and Sciences in 1992 and an honorary lifetime membership in the American 325
生日快乐,托尼!
本期《音乐学杂志》是2011年11月9日至10日在加州大学伯克利分校多琳·b·汤森人文中心举行的“意大利牧歌国际会议,1550-1610和安东尼·纽科姆70岁生日庆典”两篇文章中的第一篇。人文学院院长、音乐系、意大利研究系、艺术史系和加州大学伯克利分校汤森德人文中心为这次会议提供了慷慨的资助,首先应该感谢这些赞助者,因为没有他们的支持,这次来自欧洲和美国的学者的杰出聚会是不可能的。对于那些不了解托尼·纽科姆漫长而杰出的职业生涯细节的人来说,前面列出的赞助人名单会让他们感到惊讶。1949年,托尼随家人从纽约搬到湾区,小时候他在米尔斯学院(Mills College)跟随大流士·米约(Darius Milhaud)学习。到了上大学的时候,为了不偏心,他同时就读于斯坦福大学(1958-1959)和加州大学伯克利分校(1962)。1969年,他在普林斯顿大学(Princeton University)获得博士学位,前一年他已经在哈佛大学(Harvard University)获得了一个重要职位,但到1973年,他又回到了伯克利,他一直对这个机构保持着坚定的忠诚。除了他宝贵的教学和指导,他对大学的贡献还包括:1984年帮助建立了意大利研究系;1990年至1998年担任文理学院院长,见证了文理学院的巨大变革;同时担任音乐系和艺术史系主任。除了他的国家荣誉——包括1992年当选为美国艺术与科学院院士,以及美国325协会的终身荣誉会员
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