Reinventing Modernity Through Tradition: Product Development in Traditional Craftsmanship

Albio Nascimento
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引用次数: 6

Abstract

In modern times, where life is permanently accelerating, people loose natural sense for matter as well as their inherent awareness of the environment. Looking back in the history of products, we now acknowledge that the designed did not replace the crafted in all its sensitive and semiotic dimensions. Craft stands for authenticity, skill and tradition – things we naturally rely on – at the same time it's built on human- to-human relations. On the contrary, the industrial lacks the social engagement, the cultural recognition and the “human touch”. There is a growing need to connect with the material world, in a more truthful and honest way - people are longing for more sensitive and down-to-earth experiences. It seems that the more virtual life gets, the more tactile we wish it to become. It is urgent to find ways to bring soul into the designed – to breathe new life into everyday things. We should now focus on what has always been central to human development in a sustainable way, things such as folk culture, craftsmanship and rural knowledge. These comprehend methods and processes of fabrication and socializing that are embedded by a consequent acquaintance of nature which, if considered as guideline for making new things, can bring soulful value into our material world. Design takes here the roll of catalyst and innovation driver, creating new contexts and defining new development strategies. This article reports on the design experiments going on in the Algarve (Portugal) and Catalonia (Spain) with traditional craftsmen. Workshops that team up traditional craftsmen with designers to develop new products, as well as strategies for local empowerment and social sustainability. The final goals are: the materialization of folk knowledge into new products and grassroots viability for the craftsmen activity.
通过传统重塑现代:传统工艺的产品开发
在生活不断加速的现代,人们失去了对物质的自然感觉,也失去了对环境的固有意识。回顾产品的历史,我们现在承认,在所有敏感和符号化的维度上,设计并没有取代工艺。手工艺代表着真实性、技巧和传统——我们自然依赖的东西——同时它建立在人与人之间的关系之上。相反,工业缺乏社会参与、文化认同和“人情味”。人们越来越需要以一种更真实、更诚实的方式与物质世界建立联系——人们渴望更敏感、更接地心的体验。似乎生活越虚拟,我们就越希望它有触感。迫切需要找到将灵魂带入设计的方法-为日常事物注入新的生命。我们现在应该把重点放在一直以来对人类可持续发展至关重要的东西上,比如民间文化、手工艺和农村知识。这些理解的制造和社交的方法和过程是由对自然的认识所嵌入的,如果被认为是制造新事物的指导方针,可以为我们的物质世界带来灵魂的价值。设计在这里扮演着催化剂和创新驱动者的角色,创造新的环境,定义新的发展战略。本文报道了在阿尔加维(葡萄牙)和加泰罗尼亚(西班牙)与传统工匠进行的设计实验。传统工匠与设计师合作开发新产品的工作坊,以及当地赋权和社会可持续性战略。最终目标是:将民间知识物化为新产品,为工匠活动提供草根生存能力。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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