Valenţele (Re)Duplicării. Configuraţii Postumaniste La Philip K. Dick Și Ian Mcewan

Tache Lavinia
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Abstract

Abstract The present study aims to analyze the conceptual perspective on the metamorphosis of the human under the process of duplication and the restitution of the robotic hypostasis. Following the posthumanist theories, this paper focuses mainly on the literary manifestations that envisage the many-sided topic about the human identity’s surcease, namely Do Androids Dream of Electric Sheep? and Machines Like Me. In both cases, the central function of restructuring reality through the symobol of technological alterity is emphasized; the simulacrum comes within the purview of building versions for a universe where creation does not lead to progress, but, to a certain extent, to destruction and the entanglement of human conciousness. This fact implies that the fictional robots have to be interpreted as an integrant part of a system that ecompasses the lost sense of self. Essential for understanding the cited narratives is the questioning of the Cartesian belief that animals do represent a mechanical behaviour. I argue that the reconstruction of a techological identity bears a double scheme of approaching empathy and identity and accordingly the existence is to be interposed within new frames of thought.
摘要本研究旨在从概念的角度分析人类在复制过程中的变态和机器人本质的恢复。遵循后人文主义理论,本文主要关注的文学表现形式,设想了关于人类身份超越的多方面话题,即“机器人会梦见电子羊吗?”和像我这样的机器。在这两种情况下,通过技术替代的象征来重组现实的中心功能都得到了强调;模拟物属于为宇宙构建版本的范围,在这个宇宙中,创造不会导致进步,而是在一定程度上导致毁灭和人类意识的纠缠。这一事实意味着,虚构的机器人必须被解释为一个系统的一个组成部分,这个系统包含了失去的自我意识。理解引用的叙述的关键是对笛卡尔信念的质疑,即动物确实代表了一种机械行为。我认为,技术身份的重建具有接近移情和身份的双重方案,因此存在将被介入新的思想框架中。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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