Trans-Andean Modernismos

Juan G. Ramos
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Abstract

Abstract:This article examines what modernismo can reveal about lo andino. In so doing, I argue that trans-Andean is a more expansive term that accounts for the temporal, spatial, and cultural instability of what constitutes the contours and boundaries of the Andes. I underscore some of the recent work related to literary and cultural studies that has specifically theorized the Andean to offer some considerations as to why trans-Andean may be a more capacious concept for engaging with studies on the Andes, if the emphasis is to truly decentralize a nationalist perspective and offer a comparative analysis. To situtate literary production produced in the Andes in relation to modernismo, the article provides an overview and also suggests how studies on modernismo might benefit from engaging with adjacent fields such as New Modernist Studies. I then turn my attention to short stories that appear in the collection Los hijos del sol (1912) by Abraham Valdelomar and Las cosechas (1913) [1960], a novel by Miguel Ángel Corral, as case studies that elicit a rethinking of modernismos in its plural sense and from a distinct trans-Andean vantage point, one that oscillates from national to regional concerns.
Trans-Andean Modernismos
摘要:本文探讨了现代主义对人类的启示。在这样做的过程中,我认为跨安第斯是一个更广泛的术语,它解释了构成安第斯山脉轮廓和边界的时间、空间和文化的不稳定性。我强调了最近与文学和文化研究相关的一些工作,这些工作专门将安第斯山脉理论化,以提供一些考虑,如果重点是真正分散民族主义观点并提供比较分析,那么为什么跨安第斯山脉可能是参与安第斯山脉研究的更广泛的概念。为了将安第斯山脉的文学作品与现代主义联系起来,本文提供了一个概述,并提出了现代主义研究如何从与新现代主义研究等邻近领域的接触中受益。然后,我把注意力转向亚伯拉罕·瓦尔德洛马尔和米格尔·Ángel科拉尔的小说《太阳的故事》(1912)和《太阳的故事》(1913)[1960]中的短篇小说,作为案例研究,它们引发了对现代主义的多重意义的重新思考,并从一个独特的跨安第斯优势角度出发,从国家到地区的关注中振荡。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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