Godsends

W. Desmond
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Abstract

This is a reflection on the nature of revelation by means of the idea of the ‘godsend’. While seeming to be ordinary, this word carries communication of what is beyond the ordinary. A godsend suggests something like a chink or crack through which something is revealed—a kind of gap, or permeability, a porosity to a light that comes from a source beyond. In that gifted porosity is there an opening to revelation? Does the godsend say something about the surprise of revelation? In response I follow three steps: from word, to idea, to story. I begin by looking at the word and its etymology and consider what this implies. Then I look at the idea of revelation in connection with the claims of philosophical reason. Here my concern is to illuminate some theoretical considerations concerning reason and revelation, from the more reflective conceptual point of view, especially in relation to the modern sense of reason. Thirdly, I turn to story as true to the godsend, and I pay particular attention to a story that witnesses to a kind of fidelity to singularity, the story of Flannery O’Connor entitled ‘Revelation’.
Godsends
这是通过“天赐”的观念对启示本质的反思。虽然看起来很普通,但这个词承载着超越普通的交流。“天赐之物”指的是能透出某些东西的缝隙或裂缝——一种缝隙,或透气性,一种对来自外部光源的光的多孔性。在那有天赋的孔隙中,是否有一个启示的开端?天赐之物是否说到了启示的惊喜?作为回应,我遵循三个步骤:从文字到想法,再到故事。我首先看这个词和它的词源,并考虑这意味着什么。然后,我将把启示的概念与哲学理性的主张联系起来。在这里,我关注的是阐明一些关于理性和启示的理论思考,从更具反思性的概念角度来看,特别是与现代意义上的理性有关。第三,我把故事看作是真实的天赐之物,我特别关注一个见证了一种对奇点的忠诚的故事,弗兰纳里·奥康纳的故事《启示》。
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