The Identity of Hispanic Literatures: One Breath, a Million Words

José Manuel O Henriquez
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Abstract

      Nothing can stop the tides of innovation in art: it is this idea that a captive, dirty, weak, and hungry Don Quixote embraced to affirm himself as the heroic referent for the emerging Romance literatures. Indeed, this adaptability has been the secret of his longevity in the Western canon. Like Don Quixote, Hispanic literatures cannot build their identity on a pristine, metropolitan, and uniform Spanish language elevated by its exclusivity. If literary Hispanism is to be alive, it needs to evolve into a complex cultural construction that binds together the oral and literat­e languages of America and Spain and takes into account transatlantic flows and contradictions. Breathing, a common feature of both literary patterns and a rhythm of nature, will serve as the much-needed metaphor to bridge Latin American oral cultures, which have found permanence and expression in written texts, with literate cultures, including even the most urban, digital, and technologically advanced from Mexico, Chile or Spain. ­
西班牙文学的身份:一口气,一百万字
没有什么能阻止艺术创新的浪潮:被囚禁的,肮脏的,虚弱的,饥饿的堂吉诃德接受了这个想法来肯定自己是新兴浪漫文学的英雄参考。事实上,这种适应性是他在西方经典中长寿的秘诀。像堂吉诃德一样,西班牙文学不能把自己的身份建立在一个原始的,大都市的,统一的西班牙语上,这种西班牙语被它的排他性所提升。如果文学西班牙语主义还活着,它需要演变成一个复杂的文化结构,将美国和西班牙的口头语言和文学语言结合在一起,并考虑到跨大西洋的流动和矛盾。呼吸是文学模式和自然节奏的共同特征,它将成为拉丁美洲口头文化与文学文化之间急需的隐喻,这些文化在书面文本中找到了持久性和表达方式,甚至包括墨西哥、智利或西班牙等最城市化、最数字化、技术最先进的文化。- - - - - -
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